For my last blog of 2019, I'm going back to the 1969 well to celebrate the 50th anniversary of one of my favorite movies of all-time, Butch Cassidy and the Sundance Kid, released October 24, 1969.
The film won four Academy Awards: Best Cinematography; Best Original Score for a Motion Picture (not a Musical); Best Music, Song (Burt Bacharach and Hal David for "Raindrops Keep Fallin' on My Head"); and Best Original Screenplay. It was also nominated for Best Director, Best Picture, and Best Sound. Wikipedia
As kids in high school, my friends and I would reenact favorite scenes over and over as it instantly became our favorite western. The John Wayne torch of the Western had moved over to a new generation of movie fans that would champion new Westerns like Butch Cassidy and the Sundance Kid and Little Big Man with Dustin Hoffman in 1970.
I think what completes this perfect movie of script, cast and direction is Burt Bacharach's music. The score is a masterpiece that breathes so much life into the action and cinematography. For me the highlight of the soundtrack is the South American Getaway montage with Newman, Redford and Ross robbing banks and avoiding the Bolivian soldiers. Unfortunately, I couldn't find a quality video of the sequence but the audio track is classic Bacharach pop that should just take you back to the 1960's and start your Monday Monday with a little pep in your step.
I'm just an album guy at heart. If I like an artist or band I tend to like more than one song on the album. So it's really about my favorite albums of the year, and the 100 songs I have chosen here are mostly grouped with at least two or more of what I think are premium cuts of songs from the same album.
My favorite song of 2019 is There Goes My Miracle by Bruce Springsteen from his Western Stars album. Bruce once said that with his plain voice and looks he better be a damn good songwriter if he was going to make it in the music business. I think his vocals have actually improved over the years as Bruce works so hard in everything he does. His vocal on There Goes My Miracle got the hairs on the back of my neck to attention the first time I heard the song. I think the song's a masterpiece of writing, arrangement and a simply fantastic vocal that drives the emotion of the song.
Another song that got me literally tinkling with pure joy was Street Song by The Whofrom their just released album, WHO. Street Song is an instant classic in my mind because Pete Townshend throws in a little bit of everything that you would associate with the sound of the band in the 1970's. Roger Daltrey's vocal is outstanding, but the thing that brought tears to my eyes when I first heard it (very loudly in my earphones), was Zak Starkey's (son of Ringo) drumming. Zak doesn't imitate his godfather Keith Moon, but the spirit of Keith just came back like a wave through Zak's drumming! Keith Moon is in fact my favorite drummer of all-time because of his unique double tom-toms sound that just rolls like no other in rock. In the 1970's, you could be in any car with crappy speakers and a song from Who's Nextwould come on the radio and you could hear Keith's drumming just like it was making the car hum down the road.
2019 goes down as the year the 'California Sound' made a comeback. Composers such as Burt Bacharach and Jimmy Webb come to mind that hark back to a time and sound of great songwriting combined in pop with sweeping orchestrations and in rock 'n' roll with great harmony and electric guitars blending with acoustic guitars.
In Western Stars, Bruce embodies Bacharach and Webb and channels Wichita Lineman. In the folk rock documentary, Echo in the Canyon, Jakob Dylan does a similar exploration of groups like The Byrds as the California Sound evolved from beach music to folk rock. Both albums are peppered through my favorites playlist this year.
I have to mention, Dan Auerbach. First for his producing Yola Carter'sWalk Through Fire a vocal tour de force by the young British singer-songwriter. Her song, Lonely the Night takes me back to mid-60's English pop like Dusty Springfield and is a must listen. Second, Dan reunites with Patrick Carney and The Black Keys to make a great rock album also featured here and aptly titled, Let's Rock.
Album making is hard work combined with the talent to pull it off. It's a special magic to write, sing, play, and produce 10 or so songs woven together as an album and out into the world. A good album is a great find, a great album is a treasure for life.
So here's 100 songs I really liked this year and mixed together to represent some good and great albums by some fine rock 'n' rollers and Americana musicians in 2019. Enjoy my friends and here's to more great music in 2020!
The Who's twelfth studio album, WHO was just released last week but you would swear it was straight out of the 1970's. Roger Daltrey at 75 still has his vocal chops and is a model for how to take care of one's self. Pete Townshend at 74 still has his songwriting, singing and guitar chops, and together these lads just made a fan pleasing classic album to go with their current tour.
I finally saw the band for the first time on their tour stop in San Diego this year, and this album will just keep The Who selling out arenas until they say, "WHEN." This just might be the best rock 'n' roll album of the year as I'm picking songs right and left here to include on my year ending blog, My Favorite Songs of 2019. I've got both a Spotify and YouTube Playlist of the new album.
Next up is almost 72 year old (Dec. 30th) Jeff Lynne and his band now updated from ELO to Jeff Lynne's ELO. Jeff wrote every song and plays every instrument (minus the orchestration) on the new album just released in November, From Out of Nowhere. Much like the new album title, ELO is back with new material to keep the fan base rocking on tour that I caught for the first time this past June at the Honda Center in Anaheim. Jeff Lynne just blew me away at this show with his voice preserved like a 1970's time capsule that continues to blast off on this new album. I saw a lot of bands and solo acts in 2019 (including Paul McCartney) but I have to say, Jeff's performance at the Honda Center had the highest sound quality production of any live act I heard in 2019. This new album will take you back and forward at the same time.
Here also, I've got both a Spotify and YouTube playlist of the new album.
With these two new 2019 releases, these rockers all born in the 1940's continue to prove why they are part of the greatest generation of Rock 'n' Roll.
I first heard Let It Bleed on friend and childhood next door neighbor Ron Zieman's bedroom record player. I recently recall him saying, "I wore the damn thing out."
Fifty years later and on this spin of the digital turntable, two things stand out. One, Keith Richards playing almost all the guitar parts because Brian Jones was so far gone that the Stones had to kick him out of the band in June, 1969. Brian was found dead in his swimming pool less than one month later.
Jones and fellow guitarist Keith Richards developed a unique style of guitar play that Richards refers to as the "ancient art of weaving" where both players would play rhythm and lead parts together; Richards would carry the style on with later Stones guitarists and the sound would become a Rolling Stones trademark. Wikipedia
The second, is my respect for the craftsmanship on ALL the songs beyond the hits. The Rolling Stones idolized the Blues and the men and women who created the genre. I was listening to a live song by B.B. King on tour with the Stones the other day on Amazon. King says in the intro before the song that he wanted to thank the Stones for having him open for them, because "without the Rolling Stones you wouldn't be listening to B.B. King." Sometimes this world is just ass-backwards...
The new Let It Bleed 2019 remaster on YouTube is outstanding! Take a little holiday time on this one, but don't forget to go back to my Christmas Mix 2019 - Going Home. Baby gimme some shelter!
Our ol' pal Ron is currently visiting his father Ray in Rochester, New York. Happy Birthday Ron and Merry Christmas to you and your family and stay warm by the fire.
This is the 5th anniversary of my Christmas Mix Playlist! I've linked all the previous mixes right here, so you'll be covered for the holidays. As always, my Christmas Mix is a blend of traditional and non-traditional music because after 60+ years of listening to Bing and Nat, ya gotta mix it up.
I remember Paul Simon talking about the song Kodachrome many years ago and his inspiration for writing the song was not photography but rather the sound of the phrase 'going home,' now say, "Kodachrome," and there's another hit from Rhymin' Simon. If there ever was a color film for the holidays, it was Kodachrome. It was my film of choice until this digital stuff took over...
One of the central themes of Christmas is in fact, going home. Children have Santa with all the presents under the Christmas tree, but adults get a holiday theme too- the loneliness, and/or longingness to be back home with family, friends, and possibly that one person you love more than anything.
Since vinyl records became popular in the 1940's, songwriters have created countless hits using the 'going home' theme. In 1943 and in the middle of World War II, Bing Crosby's hit, I'll Be Home For Christmas was written for the soldiers longing to be home at Christmas. It remains today a Christmas standard sung by countless singers that still can elicit tears... I'll be home for Christmas, if only in my dreams.
McKee Anderson DeVoe
Here's a current shout out to McKee Anderson DeVoe who just graduated from Marine Boot Camp down here in San Diego at MCRD and is currently stationed at Camp Pendleton. Mary Kit and I attended the ceremony with his proud dad Bill and his family, and we all wish him the best in the days, months and years ahead as a proud Marine!
This past week I headed up the coast to my OG hometown, Santa Maria, CA. I spent Thanksgiving with my mom, brother and sisters in the house we all lived in growing up. It was nice for all of us to be back together again under the same roof on Tunnell Street. I'll be home for Christmas this year in San Diego with my girls and grandkids. I cherish everyday with all my family spread out across California and Washington.
Happy Holidays to all , and may your days be filled with good spirits and cheer wherever you are!
Also, a very special Merry Christmas wish to Ray Zieman who is in his 95th year and truly one of the finest human beings on the planet. Ray spent his career at Kodak and did some incredible top secret work with the military for Kodak at Vandenberg Air Force Base to keep our country safe. Merry Christmas Ray, Ron and Retta too!
Yesterday's sunrise on the mystical 'Ventura Highway' just out of Santa Barbara, going home to San Diego.
Thanks for the Dance is Leonard Cohen's fifteenth and final studio album and one that will probably grow on you the more you hear it. It was just released on November 22nd, a holy day for millions since my childhood, and maybe a fitting date for Cohen's finale. It has been a labour of love from son Adam Cohen who has been working on this project before and since his father's death in November, 2016.
Leonard Cohen is a perfect example of why music never stops teaching one about life. Like food and drink, your tastes change, blend, and mature. I don't remember the first time I heard a Leonard Cohen song, but as a young teenager probably would have said, "a droning poet."
I believe I have a memory of seeing Cohen's first album, Songs of Leonard Cohen thumbing through Paul Hobbs' album collection but don't ever think we listened to that one on his record player. Paul was and still is light years ahead of me musically and probably would have had that teenage listen with fellow friend Jeff McCarthy as together they would have appreciated Cohen's songwriting prowess as young lads.
Like fine wine through the years, I find Leonard Cohen's words and music to be wonderful, his voice a treasure of expression and experience. Give Thanks for the Dance a good deep listen in this week of reflection, and Happy Thanksgiving my friends.
This documentary has gotten a few harsh reviews, as notably Joni Mitchell is not even mentioned, even in the context of the California Sound evolving from surfing and car songs to more socially conscious and interpersonal songs. For god's sake, as a Laurel Canyon resident who released Ladies of the Canyon in 1970 she (and The Doors) deserved a little shout out here. Also the overuse of clips from the 1969 art film Model Shop as Slater's and Dylan's inspiration for the documentary is annoying but is easily put aside.
With that said, this 1 hour and 22 minute doc has plenty of great clips of its own as you get a snapshot of the the mid to late 60's in Laurel Canyon with some of the famous musicians who lived there and some famous musicians who didn't. My favorite was getting to watch Tom Petty talk about music one more time as this was his last recorded interview. The beginning of the film with Tom is a fantastic hook that for me is my ultimate sweet spot of Monday Mondayjingle jangle 60's rock 'n' roll and my original inspiration for writing this blog. For me, learning anything new about three of my all-time favorite bands- The Mamas & The Papas, The Byrds, and Buffalo Springfield are gem pieces to the rock 'n' roll puzzle for those of us who just can't get enough of this stuff. Man, to have a time machine and be a young adult in Laurel Canyon and on the Sunset Strip in the mid-sixties, would be...
Here's several key elements that make this film 'a must see' that covers the folk to folk rock transformation.
This starts with the transition of folk musicians and studio recording in New York mostly moving to Los Angeles shortly after The Beatles stepped off the plane in 1964. John Sebastian tells how Roger McGuinn started singing Beatles' songs in folk clubs in New York and Los Angeles with no success but with the guts of a pioneer and a Beatles inspired 12 string Rickenbacker 360-12 electric guitar.
In the film, Roger McGuinn gets a much deserved feature as a major architect from musicians singing folk songs with acoustic guitars to composing folk rock songs with electric guitars. Here's a quick clip (not in the film) of Roger and his Rickenbacker.
In the film, Roger and The Byrds take traditional folk songs like Pete Seeger's The Bells of Rhymney and transform it in their 1965 version. Here's a set of clips, first with Seeger's original version, and then The Byrds.
I also enjoyed the conversations with famous musicians who discuss how art is a continual process of iteration and the 'cross pollination' of songs that influence song writing. I bought a book a couple of years ago by Austin Kleon with the perfect title to describe this process of creativity, Steal like an Artist. In the 1960's, Laurel Canyon becomes such a place where collaboration + competition = creativity. One example from the doc, is how George Harrison adapts Roger's riffs on The Byrds version of The Bells of Rhymney that influence him in his 1965 song, If I Needed Someone.
Then, Brian Wilson is blown away by Rubber Soul and that inspires him to write Pet Sounds in 1966. In turn, The Beatles are inspired by Pet Sounds, and in 1967 create Sgt. Pepper's Lonely Hearts Club Band. (As a side note to the playlist below- I also include Buffalo Springfield's (Stephen Stills) Questions, which morphs into Carry On with Crosby, Stills, Nash & Young, and then Eric Clapton adapts the Questions riff for his song, Let It Rain(1970) .
July 25, 1965 - Newport Folk Festival
The film's MC role is played with perfect Bob Dylan DNA detachment by son Jakob Dylan, born in 1969. I think son Dylan does a great job tapping into dad's influence without mentioning his name. As the greatest songwriter of his generation, Bob Dylan himself also makes the historic transition from acoustic folk to electric rock 'n' roll and turns the music world on its head at the 1965 Newport Folk Festival.
As the documentary unfolds, I realize Jakob is the perfect medium to tell this story. His quiet casual manner and approach to the material works perfectly for the famous musicians who take his questions and run with it (e.g. David Crosby, Stephen Stills, Graham Nash, Tom Petty, Eric Clapton, Brian Wilson, Jackson Browne, Lou Adler and Michelle Phillips).
Jakob brings in his own generation of musicians to update 13 songs from the California Sound era that in their interpretation remain both current and true to the originals. In the playlist below, I start with the original 60's version and then follow it with the Jakob and friends take. I love his selections as Jakob goes for some of the deeper cuts, not just the hits and hey that's my kind of playlist! I highly recommend you make the time to watch echo in the canyon this week on Netflix, it's a trip!
In the past several weeks I have highlighted The Beatles' Abbey Road and Laura Nyro's New York Tendaberry, both released in September of 1969. This week, I focus on other albums released in September and October of that year with an ear to AM Radio. Being fourteen and a white kid from a small farming town, my main exposure to music of the day came from AM stations.
Even though I never purchased a 45 single or album from Motown (until Stevie Wonder in the 70's), I constantly was exposed to pop, soul and R&B by black artists on AM Radio. I didn't realize it at the time, but those tunes sunk in deep in my soul, and as I got older, I began to appreciate them more and more, and don't you know they stand the test of time.
Three of my all-time Motown favorites are featured here with releases by the singing duo of Marvin Gaye and Tammi Terrell. Tammy died in 1970 at the age of twenty-four from brain cancer. For me, this was Motown's best singing duo that was cut way too short and as the saying goes, "the good die young." Also got to give a shout out to The Temptations and The Supremes who made an album together in 1969. The Supremes are a very special group in the history of american music as their world wide fame reached across the races and opened up the door for many black artists to perform center stage in any city.
So here's my own TOP 40 (actually now 44) from that period that include some BIG hits and some songs you may have never heard before. Enjoy my friends.
A couple of weeks ago, I wrote about the 50 year anniversary release of Abbey Road by The Beatles. On September 24th 1969, two days before Abbey Road hit the airwaves, Laura Nyro released New York Tendaberry.
Laura is a singer-songwriter best know as a composer much like her New York Brill Building contemporaries in that other people made monster hits from her songs.
During this past year, I've been exploring Laura Nyro and find her completely fascinating. As I got into New York Tendaberry, I discovered the song, Save The Country inspired by the assassination of Robert F. Kennedy and the times of the late sixties.
After listening to Save The Country 50 years later, I couldn't help but link the lyrics with our current political times under one Donald Trump as history's loop-tape back to the civil rights movement and the policies and behavior of the Nixon administration. These lyrics are as relevant today as when Laura Nyro wrote them in 1968 expressing her fortitude with the continual efforts to preserve our democratic principles and the dreams they are built on.
Come on, people, come on, children
Come on down to the glory river
Gonna wash you up and wash you down
Gonna lay the devil down, gonna lay that devil down
Come on, people, come on, children
There's a king at the glory river
And the precious king, he loved the people to sing
Babes in the blinking sun sang "We Shall Overcome"
I got fury in my soul, fury's gonna take me to the glory goal
In my mind I can't study war no more
Save the people
Save the children
Save the country now
Come on, people, come on, children
Come on down to the glory river
Gonna wash you up and wash you down
Gonna lay the devil down, gonna lay that devil down
Come on, people, sons and mothers
Keep the dream of the two young brothers
Gotta take that dream and ride that dove
We can build the dream with love, I know
We can build the dream with love
We could build the dream with love, I know
We could build the dream with love
I got fury in my soul, fury's gonna take me to the glory goal
In my mind I can't study war no more
Save the people
Save the children
Save the country, save the country, save the country
Save the country
Here's four different versions of this patriotic call to save We the People from the #WrongSideOfHistory. Gotta take that dream and ride that dove, we can build the dream with love...
Laura Nyro, from New York Tendaberry, 1969
Complete album on Spotify | YouTube
UPDATE 10/28/19 - I have added songs to the playlist from new albums released by:
Neil Young, The Milk Carton Kids, Illiterate Light, Lana Del Rey, Green Day, No Vacation, Allison Moorer, Boy & Bear, The Cowsills and more, so check it out.
I have been so preoccupied with music from 1969 that I thought I'd better get back in tune with music happening now. After playing a little listening catch up since July (with a few albums released earlier this year), I now have a list of 80 songs from some great new albums.
In making a 'New Releases Playlist', I hit the music streaming services to cast and catch songs with the confidence of the Clive Davis: The Soundtrack of our livesearfor Rock 'n' Roll and Americana.
My metaphor of fishing for songs is a joke with myself as I hated fishing from an early age with the boredom and lack of movement involved for a fidget spinner like me. But when you listen to a song that gives you that back neck goosebump tingle excitement it's like the feeling of a fish striking your line, bending the ol' fishing pole and reelin' em in. To top all this off, Jeremy's got a great song on the album and included in my playlist (#59) called Story of a Fish. Sometimes the blog just writes itself...
Bailen, a sibling band that includes twin brothers, Daniel on bass, David on drums, and younger sister Julia on guitars. Julia is probably identified as the lead singer, but what sets them apart from many young groups today is their detail for harmony.
Their debut album, Thrilled to be here (on Amazon) has so many wonderful songs carefully crafted with harmony that I was just began adding most to this playlist. I can't tell you how many albums I listen to that have so little spark from one song to the next. I was thrilled and look forward to more of their songs in the future.
Liam Gallagher's second solo album Why Me? Why Not.(on Amazon) answers his own question with his usual growl look and parka to go against some of the catchiest pop songs since well, Oasis. I can't help but like this guy and hope he and brother Noel can some day bury the hatchet together and just get along.
And speaking of siblings, The Avett Brothers new album Closer than Tomorrow(on Amazon) plays to a strength of the brothers commitment and moral center as humans, family, and bandmates. You can't help but feel along with producer Rick Rubin that these guys care are about what's going on in their community and country. Their unique style is why the genre of Americana came to be in the last couple of decades because bands like the Avett Brothers were not exactly folk, rock, country or bluegrass, but a mix of everything. Like the albums above, I just kept adding their new songs to the playlist.
There's also a lot of new single or double songs from a number of artists in the YouTube Playlist this week. Over time, I hope you can listen to the whole thing including new albums to come in the weeks ahead from The Milk Carton Kids, and The Who (who as for the later, I'll be seeing on October 16th at San Diego State).
Enjoy my friends, and sorry Paul, I didn't have time to make a Spotify Playlist (so far) this week.
September 26th, 1969 marks the 50th anniversary The Beatles released Abbey Road. The album cover is one of the most recognized photos of the 20th century. I personally have it on the mouse pad I'm using to write this blog. I also have a framed 3D image of it (and this is for real), in my Yellow Submarine bathroom- painted completely school bus yellow with an assortment of Beatle photos on the walls and memorabilia scattered about.
My outstanding 1969 memory of the photo, is George Harrison's Clarks Desert Boots. Seeing that on the cover was just the coolest thing because all my friends and I had a pair, or at least a rip off version of the Clarks originals. In fact, I probably got mine at JC Penny after telling my mom I just had to have them. I believe in junior and senior high school I went through several pairs of both the low and high top versions. I can't speak for the rest of the world, but George had 1969 California chic down in that photo!
Now the desert boots got me thinking about the Schwinn Stingray. My stingray was in fact a rip off model from Montgomery Ward which we used to call, "The Monkey Ward." Speaking of monkey, the banana seat and monkey bars were great for my paper route. You could wrap the cloth bag holding the rubber-banded newspapers on the bars in a perfect position for grabbing and throwing.
Products are one thing to imitate, but The Beatles represented the music that launched the aspirations of thousands of bands across the globe. By 1965, The Beatles were the measure, the absolute standard of excellence in rock 'n' roll to emulate. And speaking of imitation, what about the countless graphics of Star Wars, Muppets, Simpsons, and other characters, or photos of people all in Beatle formation in the Abbey Road crosswalk.
In 1969, who knew that this was going to be their last album as a band (not counting Let it Be, recorded earlier and released after Abbey Road). It's only shortly thereafter in 1970 that "the dream is over" sunk in as reality. There were not going to be anymore Beatles albums coming out of Abbey Road Studios. Abbey Road, as brilliant as it was when we all heard it in 1969, continues to blossom with time and gets better, better, better...
By the way, you're listening to music on the radio or let's say on a digital device in shuffle mode and a Beatles song comes on, do you ever change the station or hit skip? I can't answer for you, but I think you can for me.
It's 50 years later this past June, Mary Kit and I are at Paul McCartney's Freshen Up Tour in Phoenix. Paul (now 77) finishes his three-hour set with the famous side two Abbey Road medley of Golden Slumbers, Carry That Weight, and The End. I had read the setlist in advance and knew I was going to cry, and I did.
For the 50th Anniversary, The Beatles on September 26th released a three CD or vinyl 40 song box set versions of Abbey Road. The box setincludes- illustrated book, demos, outtakes, and several other songs recorded during the Abbey Road sessions not on the original album, all remixed by Giles Martin.
I've been listening to Rodney Crowell's new album Texas and enjoying his collaborations with a slew of great artists including Ringo, Willie Nelson, Billy Gibbons, Vince Gill, Lyle Lovett, Steve Earle, and Lee Ann Womack. Here is a review from the Americana Music Show.
The first thing you notice about John Mayer's current Summer Tour stop in San Diego is the PA music before the concert, all 80's music. For a classic generation rock 'n' roller like me it's a subtle, "I'm glad you're here but my peeps are your children."
In fact, John Mayer's maturation from teen idol with screaming girls, to a large diverse audience of college kids, millennials, and gray hairs all screaming is a reflection of his setlist- an eclectic mix of singer-songwriter acoustic and electric guitar magic. Viejas Arena never sounded so good. If your mindset about John Mayer is stuck in a early 2000's tabloid magazine, please snap out of it.
I believe John Mayer is one of the best examples of an artist who may in fact be the definitive BRIDGE of rock 'n' roll from people like me who attended SDSU in the 70's to the current crop of students I saw at Mayer's concert last week. I knew John was going to perform his electric guitar mastery because I've been listening and watching him the last decade, but what really got me excited were the kids.
I stood with the entire arena that moved like a gentle wave to Mayer's set delivering the Blues, R&B, Funk, Folk and Rock 'n' Roll to a generation of young people that rocked to his groove. In a time where the "thump, thump" of DJ electronic club music is the default, it's good to see this generation of young people embrace an artist who writes contemporary music for them with a tune lineage from folks that carry Stratocasters. This won't be my last John Mayer concert, and along with fellow artists like Gary Clark Jr., I'll be going to rock 'n' roll shows for years to come.
My playlist this week are the 24 songs John performed at the SDSU show. Enjoy my friends!
It's second semester, I'm going to guess February or March, 1976 and Chris Mitchell walks into my dorm room in Toltec Hall at San Diego State University. Chris was a couple of doors down, and I believe he got a madman (punk kid liar) as his second semester roommate. His previous roommate Larry had moved back to San Francisco and Chris was suddenly spending more time in my room. Fellow hallmate and new lifelong friend, Mark Hunter may have also been in the room as the three of us would often listen to music together.
Anyway, to the best of my best recollection Chris comes in with the new Heart album Dreamboat Annie and says, "You guys have got to listen to this!"
Chris was all over this band. The album cover of the Wilson sisters, Anne and Nancy had me before the needle hit the record. I also remember Chris leaving a note on my door one day that said, "Joe Walsh has joined the Eagles." That note blew my mind!
Fast forward to September, 2019 and I'm floating down the lazy river in Las Vegas with Mary Kit all these years later. As always we catch Love at the Mirage and Bill Maher as well this round. Last night we saw Elle King,Joan Jett and the Blackhearts, and Heart at the Pearl Theater at the Palms. Wow, what a night of rock 'n' roll with these wonderful women!
Threads is Sheryl Crow's eleventh studio album and she says her last. She plans to continue touring and making singles but just won't be making complete albums anymore.
This album is special as it has been three and half years in the making with every song having one or more great guest artists. In a who's who starting with Johnny Cash to present day stars like Maren Morris and Chris Stapleton this album weaves an Americana vibe of artists and influences.
As by design, you will want to listen to every song on this album, multiple times. In the first pass, you might think you have found a favorite and the next song is just as good. The album builds strength off each song and you know why Sheryl named it Threads.
I have always loved Sheryl Crow as she kept classic rock 'n' roll fresh and alive in the 90's as the genre declined with new talent and airplay. Sheryl is one of the people who provided the bridge between women in the folk-country-rock 'n' roll classic era with the many talented women artists of today.
As Mavis Staples, Bonnie Raitt, and Stevie Nicks inspired Sheryl, she has in turn inspired younger women like St. Vincent, Brandi Carlile and Margo Price. This album is a real treat with all the above mentioned as contributors to this album, not to mention a few old guys who've penned a few songs in their time as well.
Thank you Sheryl Crow for all the great albums over the years as this one goes out on many high notes. And, with all these great artists around, these are Still the Good Old Days. Enjoy my friends!
August of '69, I'm about to enter high school and be on the freshmen football team. The tradition was that every football player at Santa Maria High School had to buzz cut their hair in order to try-out.
Can you imagine, all my friends are growing long(er) hair and I have to look like I'm going into the military. In 1969, the military draft were taking boys just 4 years older than me, to Vietnam.
My new buzz cut was a serious blow to my wannabe hippy thing. Maybe listening to bands like Jethro Tull with my next door neighbor Ron would keep me at least at the counterculture back door, looking in.
Now listening to Jethro Tull's album, Stand Up 50 years later is like a lightning bolt flash back. Ron had purchased the album, and like I've said many times in my blogs, I'm sitting on his bed listening and looking at the album cover art. Our auditory music memory is like our sense of smell, you hear it and you're right back in a place long ago. Stand Up holds up!
Mary Kit and I saw John Fogerty in Las Vegas a couple of years ago and he really puts on a fantastic show. If you have not seen John Fogerty recently, I highly recommend you go to one of his shows, it will make everything in the world pause for a couple of hours. Mary Kit says he's back in Vegas this November with his 50 Year Trip.
John's music is so pure and I often link Booker T. and the MG's and CCR with both having a simple and authentic sound that has stood the test of time. Green River holds up!
I have most Donovan albums checked in my Amazon Music app and he randomly comes up on many a trail run, and I rarely skip a song. By 1969, Barabajagalwas his seventh studio album and he kept his hits streak rolling with this album. I've included the song, I Love My Shirt which so reminds me of a song that the great children's songwriter, Raffi could have written. Donovan always did his own thing and didn't try to imitate Bob Dylan. I like that Donovan usually did an anti-war song on his many albums and on this one penned, To Susan on the West Coast Waiting [From Andy in Vietnam Fighting].
Santanais Santana's debut album who were one of the unknown bands to the Woodstock audience a few weeks prior in August of '69. Talk about great timing! Santana took off like a roaring lion and Carlos has never stopped. I'm partial to this original lineup and had the pleasure of seeing the organ and lead singer for Santana, Gregg Rolie several years ago in Ringo Starr's All-Star Band. Greg sings Santana's early hits and is never recognized until he starts singing and Ringo's crowds love it!
Harryis Harry Nilsson's fourth studio album and like most people I didn't get back to this album until he became more famous in the 1970's. The big song from this album is I Guess the Lord Must Be in New York City, the similar sounding song to Fred Neil'sEverybody's Talkin', the smash hit from the 1969 film, Midnight Cowboy. Director John Schlesinger had been using Nilsson's cover of Fred Neil's "Everybody's Talkin'" as an example of the kind of song he wanted on the final soundtrack but then decided not to replace it. If "I Guess the Lord ..." had been included, it would have been eligible for an Oscar, as it was an original song. Harry Nilsson did win a Grammy Award for Best Male Pop Vocal Performance for "Everybody's Talkin'" [in 1970]. Wikipedia.
The summer of '69 is a memorable period for millions of Americans. We landed on the moon in July and then Woodstock in August. In September, The Beatles release Abbey Road and we begin to close out a decade with some of the most memorable music ever made.
At fourteen, I didn't realize the impact of living in 1969 until years later, but often reflect back here in this blog with the knowledge and experience of When I'm Sixty-Four.
For my last blog of 2019, I'm going back to the 1969 well to celebrate the 50th anniversary of one of my favorite movies of all-time, Butch Cassidy and the Sundance Kid, released October 24, 1969.
I think what completes this perfect movie of script, cast and direction is Burt Bacharach's music. The score is a masterpiece that breathes so much life into the action and cinematography. For me the highlight of the soundtrack is the South American Getaway montage with Newman, Redford and Ross robbing banks and avoiding the Bolivian soldiers. Unfortunately, I couldn't find a quality video of the sequence but the audio track is classic Bacharach pop that should just take you back to the 1960's and start your Monday Monday with a little pep in your step. 
