Truths in Storytelling with John Prine and Todd Snider at the Paramount, Seattle WA 9/22/18

In 2015, I saw John Prine with his mentor Kris Kristofferson in San Diego. I wrote a little blog about it called,  The difference of 10 years and heroes with the premise that our heroes or mentors come from the immediate preceding generation.

On Saturday night, Mary Kit and I had the pleasure to see Todd Snider and John Prine in Seattle thanks to the warm invite from our old Santa Maria friends Ken and Vicki Forman whose daughter Emily lives in Seattle with her family.  Mary Kit's three kids and their families also live in the greater Seattle area. So the four of us decided to meet up here, spend the day together and see the concert.

Before the show at dinner, Ken was telling me how John Prine took Todd Snider under his wing and that Todd has opened many shows for John over the years and helped build his career as a singer-songwriter. For me, it was a perfect connection of mentorship from Kristofferson to Prine and Prine to Snider.  These unique individuals all have the gift of storytelling in their songwriting.  It is a gift that reveals the plain and simple truths about men and women, working people, people living in a simpler time, injustice, the amusing, the open and shut doors, and the wide open spaces.

Todd opened the show with his stories and songs and I don't think I've ever seen such a perfect opener for the main attraction. If you have never seen or heard Todd Snider, he is funny as hell but can turn that emotion around quickly with a darker perspective. His gift is his balance between stupid funny, serious satire, and folk singer. I became a convert in a sold out theater of the Todd Snider faithful with a lot of hoots and a standing ovation at the end of his set. Thanks to Ken and Vicki for the introduction.

Now John Prine at 71 has 20 years on Todd Snider, and the master came out ready for spit and fire. He has a new album, The Tree of Forgiveness, which had me at the title before I even listened to the album when it came out in April. Prine backed by his fantastic band moved through the new songs intertwined with his famous standards and I felt the audience embrace every song like a winding stream. (Here is the setlist.)

So why does everyone love John Prine these days? I think we are all needing real stories, stories John Prine communicates through his songs of our shared humanity to love and respect each other.

For me, Saturday night was a range of emotions from laughter to tears. This is something you go to a theater for when you see a play. It was an Americana Folk passion play of plain truths about ourselves, past and present. In our current times, where bullshit and hate have become king and queen on our national stage, truth has mostly taken a back seat.

The audience at the Paramount on Saturday night was ready to be entertained. They came to see a couple of their heroes who represent genuine honesty, humor and truth in song. I walked into the building to be entertained too, and I was.  But what I came away with more than anything, was the wonderful feeling that it was simply nice to escape from the news of the day and hear from a couple of authentic Americans on a very friendly stage.

Here's a little mix of Todd Snider and Americana Music Awards 2018 Artist of the Year Award, John Prine. Note - I found several phone videos from the tour the night before in Portland, Oregon and thought that close enough to Saturday night.

David Letterman and Paul Shaffer's late-night musical magic

This past week David Letterman finished a 33 year run with 6,028 shows on late-night television at NBC and CBS. This is truly a phenomenal feat of talent and stamina.  Letterman did this all the while with his musical director Paul Shaffer at his side. The trust and bond between these two men have provided the public with a treasure trove of memorable moments through the daily preparation and collaboration of Letterman and Shaffer. I don't think David Letterman would have done 33 years unless he had Paul Shaffer and the band to help deliver the show night in and night out. I'm sure that like Dave, Paul was not feeling it every night, but you would never know. Shaffer's passion and professionalism always shined through and made the Late Show with David Letterman the place to showcase almost every genre of music. From an eclectic selection of musical guests, including famous musicians who just wanted to play the night in Paul's band, we all got treated to music not always heard on mainstream television. America doesn't often play Americana music on ABC, CBS, NBC and Fox, but Dave did. Letterman's move to CBS ultimately didn't win the TV ratings war with Leno's and Fallon's The Tonight Show, but he won the hearts of a nation with his unique combination of angst and love. And, Dave loved the music.

With a show of this magnitude and duration, there is no way to capture the thousands of musical guests who created magic on Letterman's shows. This magic was especially preserved in the musical performances in the Ed Sullivan Theater once HD television enhanced the sight and sound of live music. Listen to the more recent recordings and you'll hear the theater's acoustics in the performances. We now have thousands of those moments to enjoy on the Internet and I had quite a task this week to screen a 100 or so videos. I selected 33 choice cuts for your pleasure and hope you enjoy my YouTube Playlist this week.

Dave and Paul, thanks for the memories and 33 years of wonderful music.



I have to end with David Letterman's first guest in 1982 and his last non-musical guest, Bill Murray. Bill takes to the streets and leads a classic Lennonesque chant with the crowd outside the studio,
"All we are saying, is more Worldwide Pants." 

T Bone Burnett's Americana: Part II

Last Monday, I wrote about T Bone Burnett's influence on the music industry and his ability to bring together very talented and divergent musicians in various projects. Today, I would like to continue in that same vein as I've had the pleasure to experience two wonderful documentaries presented by Showtime in 2014. First, Another Day, Another Time: Celebrating the Music of 'Inside Llewyn Davis which I wrote about last week and featured Marcus Mumford and now, Lost Songs: The Basement Tapes Continued (next airing, Feb. 14th, 2pm).

Buy @ Amazon

This new project is Lost on the River: The New Basement Tapes produced by T Bone Burnett. It uncovers new lyrics that were written in 1967 by Bob Dylan that were never released and not part of the original, The Basement Tapes (The Bootleg Series Vol. 11: The Basement Tapes Complete). These sessions were home-recorded reel to reel tapes made with members of The Band at their "Big Pink" house basement in Woodstock, New York, 1967. 

Mr. Burnett's vision with The New Basement tapes was to capture the open spirit and collaboration of the original recordings with a new group of musicians including: Elvis Costello, Rhiannon Giddens, Taylor Goldsmith, Jim James and Marcus Mumford. Watching the documentary of the creative process of Burnett with this group of people was very inspiring to me. I think this would be a great activity for any organization to view; how a group of people can come together and create something completely new from a set of existing materials, in this case, Bob Dylan's handwritten lyrics and drawings.

The song, Lost on the River was recorded in several different versions with different members of the band taking lead- adding new lyrics, orchestrating the arrangement and lead vocals. One arrangement, just blew me away as Rhiannon Giddens goes through her journey with her mates on this song. I hope you appreciate her work here, because if you have not heard of Rhiannon Giddens, you will after this, and know that a star is born in our Americana consciousness.