Musically, the 1960's died in 1971, okay let's stretch it to 1972. In 1969 I entered high school, and by 1973 when I graduated from high school, a new iteration of rock 'n' roll was well underway. In 1974 as I started college, many of the bands that I call, "Tier 1 bands" were either gone (e.g. The Beatles, Cream, Jimi Hendrix), or bands still going like The Rolling Stones and The Who, were sharing radio time with a whole slew of new bands that I call "Tier 2 and 3 bands."
Music is such a personal preference, even akin to a religious experience. Like religion or faith, I would never get into anybody's grill about their "taste" in music. The popular music of one's time in middle school and high school will often be the defining years that shapes one's taste in music for a lifetime.
For example, my brother and sister are twins and just 2-1/2 years younger than me, and my other sister is 10 years younger than me. My whole musical experience of being a 6th-12th grader in the 60's-early 70's I feel was much different than my siblings.
I'm certainly not going to knock them if they like Aerosmith, Kansas or Rush, it was simply the music more in their grade school years, than mine.
Believe me, there were tons of crappy bands and artists in the 1960's, but I found my groove with folk and "jingle-jangle" bands like The Byrds and Buffalo Springfield that really shaped my musical tastes.
By 1974, there's slicker and smoother versions of rock 'n' roll being produced in my opinion, and in looking through Wikipedia's 1974 in Music for February and March, you may see the transition too. (Note- I have pasted these Wikipedia lists at the bottom of this post.)
I want to also mention a couple of other events that shaped how I looked at artist's as once heroes, to now-not so much, or not at all. The first example actually happens in February, 1974 with the release of Seals and Crofts, Unborn Child. This is where Seals and Crofts crosses that line between their religious beliefs and telling others how to live their lives as they think you should. Unborn Child is a song told from the perspective of an aborted fetus, really? Here's the 1974 album cover of I guess, a sad embryo? Well they not only lost me as a fan, but I guess a whole generation of Roe v. Wade young people. The duo never recovered from this song and this album, and their future albums would never put them back in the limelight.
For this record, Seals and Crofts won the "Keep Her in Her Place" award from the National Organization for Women (tying with Paul Anka for his recording of "(You're) Having My Baby") during "its annual putdown of male chauvinism" in the media on Women's Equality Day. Wikipedia
The second event that rocked me with a musical hero was in 1989. Here is a clip from the New York Times. LONDON, May 22 -- The musician known as Cat Stevens said in a British television program to be broadcast next week that rather than go to a demonstration to burn an effigy of the author Salman Rushdie, ''I would have hoped that it'd be the real thing.''
The singer, who adopted the name Yusuf Islam when he converted to Islam, made the remark during a panel discussion of British reactions to Ayatollah Ruhollah Khomeini's call for Mr. Rushdie to be killed for allegedly blaspheming Islam in his best-selling novel ''The Satanic Verses.'' He also said that if Mr. Rushdie turned up at his doorstep looking for help, ''I might ring somebody who might do more damage to him than he would like.''
''I'd try to phone the Ayatollah Khomeini and tell him exactly where this man is,'' said Mr. Islam, who watched a preview of the program today and said in an interview that he stood by his comments. Craig R. Whitney, May 23, 1989, New York Times.
In the playlist this week, I include Cat Steven's, Budda and the Chocolate Box, an album I simply loved and played all the time in 1974. When this news came out, I was incensed, and I guess both Seals and Crofts and Cat Stevens were the first artists I could say that I "cancelled" in the 20th century.
But please, enjoy the many spiritually influenced 1974 songs from Budda and the Chocolate Box, as I guess Steven's Peace Train vibe was all a ruse, and his message of love and peace had left the station.
Let's move on to something more positive, and a band that like so many other people, we didn't discover when we needed to in 1974, Big Star. I personally found Big Star a couple of years ago through the 2012 documentary, Big Star: Nothing Can Hurt Me(Here is the link on Amazon Prime.)
Radio City is their second album. Rolling Stone has included their first three albums in their Top 500 Albums of All-Time. I'm not going to get into their backstory here but I highly recommend you watch the documentary and check out these three albums -
Enjoy the playlist my friends, and I didn't even mention the Eagles and Steely Dan, touring together 50 years later on the Eagles, The Long Goodbye Final Tour.
Wikipedia's 1974 in Music, February and March album release listings
This week is a cornucopia of something old and something old as I present two playlists this week.
First, fifty years ago today is a wonderful BBC Concert with James Taylor. James has gone into his music vault and has remastered the original British television broadcast into YouTube video clips. I was impressed by the audio quality and I think you will enjoy his playlist as he has recently been releasing a song a week from the concert. So far, he has released nine videos, and don't hesitate to come back here to see if he's added a few more.
Second, is the very impressive month of album releases from November, 1970. I couldn't believe how many great albums were all released in this moment in time. I put together a playlist of seventy-two songs rather quickly as you will see I basically lifted almost all the songs from several personal favorites.
A quick story. I'm fifteen and had a bunch of kids over from my church youth group. Being painfully shy, the thought of being a host for anything was terrifying. As the kids started coming into my family room and gathering, I was flummoxed, what to do to get this thing rolling? I had recently purchased Cat Stevens' Tea For The Tillerman and quickly retrieved it from my bedroom. I put the record on my parents stereo console in the family room and took a breath. Tommy Wishard, a couple of years older than me and a star basketball player at my high school, turned to me and said, "I love this album!" The evening went well, and another day saved by rock 'n' roll, not to mention my mom's French onion dip for the chips.
So I think I have you covered this week, enjoy, stay well and mask up!
James Taylor BBC in Concert • November 16, 1970
Doug's Playlist from albums released in November, 1970
Simon and Garfunkel at the 1971 13th Annual Grammy Awards | Bettmann/Getty Images
Something old, something new... part of the good luck tradition for a bride on her wedding day. In the past several months I haven't seen any brides floating about, but thought I'd borrow the expression.
Three weeks ago, I put together a playlist of "something new" music releases from January-March, 2020 thinking that might be popular with so many people home and online. It wasn't a dud but maybe not the #ComfortSongs to go along with maybe some of the #ComfortFoods you've been wanting or having at your #StayatHome. By the way, has cooking made a comeback at your house too?
Last week, I put together the 50th anniversary of CSN&Y's Déjà vualbum, and Joni Mitchell's Ladies of the Canyon, and that got a pretty good bump of blog hits coming in. With that in mind, I'll continue the "something old" theme by highlighting albums released from January - March from 1970. It's an amazing collection of albums and the number of great songs within those albums are truly impressive.
Here are a few thoughts I strung together while putting this 100+ Playlist together derived from my Wikipedia source, 1970 in music.
I'll start with the Grammy album of the year for 1970, Bridge over Troubled Water by Simon and Garfunkel. What's not to like on this entire album. If I have to pick one to start off the playlist, I'm going with Ceciliaan all-time favorite which also reminds me of a quick story growing up in a Baptist Church. I remember when Love The One You're With was a hit by Stephen Stills in late 1970 and a girl in my youth group commented to me, "I just can't stand these dirty songs like Cecilia and Love The One You're With." About a year later, I came up to her at church and said, "Guess you'll have to add Change Partners to your dirty songs list."
The Magic Christian was a February 1970 movie starring Peter Sellers and Ringo Starr. The soundtrack, Magic Christian Music is by the band Badfinger and features their first big hit written and produced by Paul McCartney, Come and Get It. I thought this was going to be a quick skip-through album, but I kept saying to myself, "wait a minute, this one's good...this one's good" and so on. Like so many albums I discover fifty years after their release, Magic Christian Music's a gem from a truly great band as most people only know their hits.
Last week I watched a 2011 documentary about George Martin (the 5th Beatle) on Amazon Prime called, Produced by George Martin (link here) that I highly recommend. George Martin produced Ringo's first solo album, Sentimental Journey and the two make a great team doing a complete album of "standards" that had not had been attempted by any rock star until Ringo did it. Ringo has always been maligned by the press over the years, but now most critics say he's not only a great drummer but a very good singer to boot. Listen to Ringo sing Night and Day by Cole Porter.
When I was fifteen, I would have never have listened to Frank Sinatra's Watertown, much less Ringo's Sentimental Journey. In Watertown, Sinatra takes a 1970 ride on the singer-songwriter wave with a themed-based album. All the songs were written by the same team of Bob Gaudio and Jake Holmes which is something Frank had never done before. This indeed was a risky move as Watertown was Frank's worst selling album, but the critics loved it and I think it's a wonderful album too. It's a heartbreaking tale of a wife who leaves her husband and two children searching for stardom. Make sure you listen to, The Train. If I didn't mention the band Mountain here, I'd probably get a concerning phone call from my old friend and childhood next door neighbor Ron Zieman wondering if I lost my mind. Ron introduced me to the best "heavy" rock bands over the years starting with Cream. Felix Pappalardi who produced some of Cream's albums started Mountain with Leslie West and their first album Climbing climbed the charts with their big hit, Mississippi Queen. When the group proceeded to record "Mississippi Queen", Pappalardi insisted on numerous takes. Growing weary, Corky Laing the drummer started using the cowbell to count off the song. Pappalardi liked it so much he left it in the mix, creating the song's recognizable intro (Wikipedia). And as Christopher Walken would say, "More Cowbell."
Moondanceis simply one of the greatest albums of all time. As a teenager I really didn't appreciate Van Morrison until I got to San Diego State and started rooming with my buddy Mark Hunter. Mark was from Millbrae CA, just south of San Francisco and if you're from the Bay Area you know "Van the man." Every song on this album is fantastic. In the last several years, I've really taken a deeper dive into his music and loved seeing him in Las Vegas in February. Check out Into the Mystic, this song is right up there...
The personnel on Leon Russell's debut album is largely a who's who of rock 'n' roll royalty, not to mention half of England. Again, so many great songs on this album including the all-time, "A Song for You", written by Russell, is a slow, pained plea for forgiveness and understanding from an estranged lover, the tune is one of Russell's best-known compositions. It has been performed and recorded by over 200 artists, spanning many musical genres. Elton John has called the song an American classic (Wikipedia).
I purchased Nilsson Sings Newmanin a used record shop after Harry Nilsson become really famous with his 1971 album, Nilsson Schmilsson. Again, this album is filled with great songs. Both albums followed me to college and I listened to them often in my dorm room and then in a series of forgettable apartments. In fact in my first forgettable apartment, my complete stereo system was stolen (a high school graduation present) with Harry Nilsson's 1974 Pussy Catsalbum on the turntable. I'll never forget coming home, opening the door and seeing a large empty space where the stereo system used to be with now the Pussy Cats empty album jacket laying in its place. My first thought was F***!!!!!, then I thought, well Pussy Cats was not Harry's finest hour on vinyl. But as long as I'm talking today about great "standards" albums like Sentimental Journey and Watertown today, check out Nilsson's 1973 A Touch of Schmilsson in the Night, a classic and one of Harry's finest hours.
Mary Kit says to me, "108 videos this week, man you must have some spare time..."
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