Fifty Years of Music • October, 1972

 
My "Fifty Years" listening dive every month never tires as I rediscover familiar albums I experienced as a young person, or today hearing albums I didn't pay much attention to when they were released. 

If you know that I grew up on the central coast of California, you may also know that Loggins and Messina were a very popular band in the region and were smart to book many college campuses early on up and down the coast. I first saw them in San Luis Obispo at the Cal Poly gym and wrote about it along with friend Paul Hobbs in an earlier blog this year. 

In 1973, I saw them a second time at the UCSB gym in Santa Barbara as it was a fantastic show and one of my favorite concerts of all time. The band was on fire that night and the crowd just loved every minute of it! Listening to the songs on this second L&M album not only takes me back to high school, but reinforces my lasting appreciation of their musicianship as a rock 'n' roll band. 

Jim Messina is often overlooked with his singing, songwriting, guitar playing and producing skills. His early contributions to Buffalo Springfield and Poco built his reputation as a musician and then producer inside the music industry, but many fans didn't know who he was until Loggins and Messina. Even then, Messina quietly let the star shine on it's handsome frontman Kenny Loggins. As a partnership and friendship that has stood the test of time, it's safe to say that Jim Messina greatly enhanced Kenny Loggins eventual solo career, and even made it possible. It's great to see them on tour together again celebrating that 50 year partnership and I would love to certainly see them live again. 

Pure Prairie League's second album, Bustin' Out came out in 1972, but really didn't catch on until 1975 when the song Amie became a huge hit for them. I purchased that album as a student at San Diego State during this time and really enjoyed the band's lead singer and songwriter, Craig Fuller. In 1975, I had no idea that Craig Fuller was actually forced to leave the band in 1973 due to the government refusing to accept his conscientious objector status during the Vietnam War. Fuller was required to perform two years of community service in a hospital in Kentucky. In 1975, Fuller received a pardon from then President Gerald Ford.

I don't know the band dynamics of Pure Prairie League, but for whatever reason Craig Fuller did not come back right when the band was just breaking famous. It just seems weird that he wouldn't return as the leading founding member of a band who just hit the big time? Fuller would go on to form the band American Flyer in 1976 and released a couple of albums with some success until they broke up in 1978. I do faintly remember Fuller making a record with Eric Kaz in 1978, Craig Fuller Eric Kaz, so it looks like I got American Flyer on my radar for some future listening.

Nevertheless, I think Bustin' Out is one of the best country rock albums ever made due in large part to Craig Fuller who is still alive today. Kind of weird nobody has done a remaster of this classic album for digital streaming services? Fuller actually has played in Pure Prairie League over the years from 1970–1973, 1985–1988, 1998–2002, 2004–2012. He even sang and played for Little Feat from 1987-93 as the lead singer in essentially Lowell George's position.

I looked up all the former and present band members of Pure Prairie League and that number was an astonishing 26 former members (including Vince Gill from 1978-82), and 5 current members (not including Fuller). I Wish I knew the whole backstory of this band and a little bit more knowledge of Craig Fuller himself? Fame is often elusive for talent such as Fuller, but maybe he just did things on his own terms and I certainly can respect that.

My surprise album of October, 1972 is Alvin Lee's Blues Band, Ten Years After and the release of their seventh studio album, Rock & Roll Music to the World. What a great rock 'n' roll album that I never heard before. I guess it's easy to appreciate so much more today as the rock 'n' roll genre is long past the center of attention in the current media. This blog exercise just reminds me, there's a ton of rock 'n' roll treasure out there on the Internet Tubes just waiting to be found!

I'll finish with more treasure already discovered years ago with Pete Townshend's, Who Came First, but have you heard all the extra tracks from the 2006 Bonus Tracks and 2018 Deluxe Edition? 

Enjoy the playlist... Arrr, there's gold in there mates!

Fifty Years of Music • Tapestry

Update - 2/19/21

James Taylor's Quote
from The Guardian - 'It shook me to my core': 50 years of Carole King's Tapestry - 2/12/21

"The singer-songwriter genre was named around 1970, give or take, and was said to apply to me and, among others Joni Mitchell, Cat Stevens and Jackson Browne. Why that supposed movement didn’t begin with Bob Dylan or even Woody Guthrie or Robert Johnson beats me – maybe they were still “folk”. But, if it means anything, Carol King deserves to be thought of as its epitome. I’d been deep into her songs – Up on the Roof, Natural Woman, Crying in the Rain – for a decade before Danny Kortchmar introduced us in Los Angeles in 1970. She played piano on my Sweet Baby James album while working on the songs for her own Tapestry. Our collaboration, our extended musical conversation over the next three or four years was really something wonderful. I’ve said it before, but Carole and I found we spoke the same language. Not just that we were both musicians but as if we shared a common ear, a parallel musical/emotional path. And we brought this out in one another, I believe.

It was a big change for Carole to leave New York for LA. She left behind an established, hugely successful career as a Brill Building [era] tunesmith, with her husband and lyricist, Gerry Goffin, and went west, on her own, with two young daughters. She started writing by herself, about herself – that is to say, from her own life. It came out of her so strong, so fierce and fresh. So clearly in her own voice. And yet, so immediately accessible, so familiar: you knew these songs already. I had that experience the first time I heard Carole sing You’ve Got a Friend from the stage of the Troubadour: “Oh yeah, that one.” Incredible that this song didn’t always exist. Carole’s focus was her family: [children] Louise and Sherry, and imminently, Levi and Molly. She had no time for the stuff the rest of us in Laurel Canyon were up to. She had her family and her songs. Certainly she would have her adventures, dramatic emotional switchbacks, in years to come. But in those days, she seemed to watch the dancers with a kind, wry detachment. To me, she was a port in the storm, a good and serious person with an astonishing gift, and, of course, a friend."

Breaking News - 2/10/21

Carole King Gets Rock Hall Nomination on Tapestry’s 50th Birthday

Original Blog - 2/8/21

February 9th is Carole King's 79th birthday, Happy Birthday Carole!

Released in April, 1971

Tapestry, with all of its songs written, co-written and performed by Carole King was recorded 50 years ago in January and released February 10, 1971. It was recorded at the same time James Taylor was recording his new album Mud Slide Slim and the Blue Horizon. Both Joni Mitchell and James (a couple at the time) sing/play on Tapestry as well as James loving and recording King's song from Tapestry, You've Got a Friend. It became a #1 hit for Taylor from Mud Slide Slim as this cross-pollination of friendship and musicianship puts the 'singer-songwriter' as the driving force in rock 'n' roll in 1971. 

 

Tapestry has sold 10 million copies in the U.S. and 25 million worldwide.

It received four Grammy Awards in 1972, including Album of the Year. The lead singles from the album—"It's Too Late" and "I Feel the Earth Move"—spent five weeks at number one on both the Billboard Hot 100 and Easy Listening charts. 

Tapestry, topped the U.S. album charts for 15 weeks in 1971 and remained on the charts for more than six years. [The album] held the record for most weeks at No. 1 by a female artist for more than 20 years.

In 2020, Tapestry was ranked number 25 on Rolling Stone's list of the 500 greatest albums of all time.
–Wikipedia

By the spring of 1971, everybody in America knew Carole King and her equally famous Tapestry album cover with her long flowing golden curly hair, sweater and jeans in a teenage boy's hippie dream, perched by the window sill with her gray tabby cat (Telemachus). Most of the Tapestry songs were playing all the time across the radio dial, and the album itself was selling at a blistering pace. 

Joni Mitchell's, Ladies of the Canyon (1970) may have gotten a lot of teen girls (boys too) starting to buy records by female singer-songwriters, but Tapestry kicked that up to a whole new mass market level. Women were breaking barriers across the culture, including the growing number of female solo singer-songwriters not relegated to just being a singer or singer in a band. Carole King had in fact, written or co-written many hits for women singers in the 1960's, now she was helping to launch a new day where women could start to create and control their own destiny in the very male-oriented music business. For many young aspiring women musicians in the early 70's, Joni may have planted the dream, and Carole may have planted the plan.

In the summer of 1971, I remember coming home in the car from the beach with friend Tim Patterson driving. I have the distinct memory of that day. I was in the front passenger seat, window rolled down, looking out west at the ocean heading south from Avila Beach, somewhere between Pismo Beach and Shell Beach on the U.S. 101. The sun was shining not a cloud in the sky, Carole King's, It's Too Late*, comes on the radio as Tim and I are silent, just listening to the song, absorbing the sun and central coast. There's a common association of long-term memory with time, place and song. This was obviously one of those moments for me as I can't remember more important details from 50 years ago, but that specific memory came to mind this past week thinking about Tapestry.

Steve Patterson

That memory triggered a couple more of 1971 or thereabouts, as I briefly hung out with Tim in high school as we both grew up in the same church and also just lived a couple of blocks from each other. Tim Patterson was just a year older than me, and our star center on the Santa Maria High School basketball team. In 1971, Tim a Junior was just getting taller and taller, as I'm going to guess around 6' 8'' or thereabouts at the time. Tim would go on to play four years of basketball as center at Stanford, then two years of professional basketball in Sweden, and later become a lawyer and settle around Palo Alto, California. 

By 1971, Tim's older brother, Steve Patterson was the star center at UCLA and is known as the center between Kareem Abdul Jabbar (Lew Alcindor) and Bill Walton years. Steve as starting center at UCLA won back to back NCAA National Championships in 1970 and 1971 with legendary coach John Wooden. Steve Patterson went on to play five years in the NBA with the Cleveland Cavaliers and Chicago Bulls. 

Now how this memory relates Tim, Steve and me starts somewhere in time in high school between 1971 or 1972. Tim calls me up and asks me if I want to go with him to the Guadalupe-Nipomo Dunes (Oso Flaco) to ride the dunes in his brother's 4-wheel drive Ford Bronco. Tim picks me up and the two of us head out to the dunes listening to his brother's tapes on the ride out. We get to the dunes and the wind is blowing something fierce where we can't even see the ground with the blur of moving sand. 

Guadalupe-Nipomo (Oso Flaco) Sand Dunes

We're about 15 minutes in, going up and down the dunes when it dawns on me, man I should probably put on my seat belt. No sooner do I snap the belt, than the Bronco crashes down into a small sand ravine about 5 feet deep and wide that neither one of us saw coming. I would estimate the car was going probably about 30 miles an hour when we hit the opposite bank of the ravine head-on and an instant stop. Tim's face hits the rear view mirror just above his right eye and starts to bleed like he's been hit by a left hook from Joe Frazier.* At the same moment upon impact, I hit the front wind shield with the right side of my head. I unbuckle and stumble out of the Bronco with an instant headache. I walk around to Tim, we find a rag or t-shirt in the car and he presses that on his wound to stop the bleeding.

Long story short, a guy in a Jeep comes along and he has a winch on his front-end and pulls the Bronco out from its back-end. We get back to Tim's house and talk to his mom, the nicest lady ever. Anyway, it was either that day or next, the Patterson's discover that my head impact had actually popped out the entire front windshield from its rubber seal. Looking back, I probably had a slight concussion but nobody even thought about that back in the day. Mrs. Patterson did come up to me at church several days later to make sure I was still okay. I think she said something about me having "a hard head," which something I have heard many times since in my life, from two different wives...

This past week, I pulled out the Tapestry album from the combined vinyl record collection from my wife Mary Kit and me. We combined our collections in 2020 after being in boxes in the attic for a long time. She made me laugh when she started to initial all her albums with a black Sharpie, well for, just in case, you never know if it's going to work out... Anyway, Tapestry with the initials 'MK' on the back cover have been playing on the turntable this past week as it certainly primed the pump for this week's blog.

The playlist this week is two halves. First, are the original 12 songs from the Tapestry album. Second, is Carole, Carole and James, or other artists performing songs from Tapestry mostly in the 21st century.

Enjoy my friends, stay well and mask-up.

* It's Too Late, is one of my all-time favorite songs and is on My 100 Songs playlist.

* On March 8, 1971 Joe Frazier defeated Muhammad Ali, staggering Ali in the 11th and knocking him down in the 15th with his staggering left hook. Wikipedia

My Favorite Songs of 1970

1970 was an incredible year in rock 'n' roll history. Some of my favorite songs of all-time are contained in the albums above. The playlist this week is a treasure of jewels for me, some discovered in 1970, and some discovered much later.

The year was full of great music and news.

The biggest news of 1970 was the biggest band break-up that ever was as The Beatles go their separate ways and start making their own albums. Their fans never stop hoping that they will get back together.

The Beatles also released their last album, Let It Be recorded before Abbey Road and released after. 

Simon and Garfunkel also made their last album together, Bridge Over Trouble Water. The album wins 6 Grammy's and wins The Song, Record, and Album of the Year. Their fans never stop hoping that they get back together.

Crosby, Stills, Nash & Young make a masterpiece, Déjà Vu  and then promptly break-up for the first time, as their fans never stop hoping that they will get back together again, and again, and again...

Drugs and death also intersect in 1970, as both Jimi Hendrix and Janis Joplin both die of overdoses just three weeks apart at the tender age of 27. Brian Jones of the Rolling Stones had died the year prior in 1969 at 27, and in the following year of 1971, Jim Morrison would also die of an overdose at 27 and fuel the rock culture phenomenon of Club 27.  

Speaking of phenomenon, the singer-songwriters to emerge as stars in 1970 is literally on the charts. James Taylor, Joni Mitchell, Neil Young, Carole King, Kris Kristofferson, Stephen Stills, Leon Russell, Cat Stevens, Van Morrison, and Elton John all breakout with solo albums that will put them on the map and on the road for years to come. In 1970, Stevens, Morrison, John, and Badfinger each release two albums during the same year as fans cannot get enough. 

I was hooked by all these talented people and I start buying their albums whenever I could scrap up the money. My friends are doing the same, and we are all listening to each other's albums. Getting into rock concerts was going to be the next big step.

At fifteen, I'm becoming aware that two of my new heroes- James Taylor and Neil Young, are a bit like me, painfully shy to the point that it wasn't helping me move forward in life. By listening to their songs by myself in my bedroom, I began to get a sensibility for their music and what they were communicating to the world. I began to internalize their music, like millions of other kids. I start to examine who I am- my self-worth, what will I do? James and Neil didn't magically answer these questions, but they did give me a feeling, a new sense that I wasn't alone. James has this beautiful voice and yet he's always hunched over (like me), walking and talking without a lot of confidence. Neil's as quirky as hell and has this unique shaky voice and distant stare. But yet, both are opening up on a big stage in the spotlight, and becoming massively successful, folk-rock stars no less. Could I actually make something of myself? 

1970 was a new decade but still part of the 1960's, and I wanted in, to be a long-hair. Music was becoming a part of my identity and it was a cornerstone of the counter-culture. I wanted to be part of something bigger, something completely different from my parents and my conservative upbringing.

This year in the blog, I started the reoccurring monthly post of 50 Years of Music. As I reflect back over the entirety of 1970, the blog often serves as a retro-journal to myself. This year, I also caught myself playing an old game, the 'shoulda-woulda-coulda' mind game. I wished I had joined the cross-country team, I wished I had started playing tennis with my dear friend Bill DeVoe as he would eventually go on to become the number one player on the high school varsity team. I wished I hadn't quit piano lessons, and I wished that I had starting writing a journal when I was young. In retrospect, all these wishes where not a lack of opportunities presented to me, but a basic lack of self-confidence on my part. 

I would go through most of the 1970's with that general lack of confidence that slowly melted away as I began my professional career as a K-12 teacher with a variety of job assignments and experiences. Over the years, I discovered that confidence is often revealed in a couple basic ways. One, you see the overt confidence, often coupled with words over action. Second, and the confidence I tried to model from the good people around me was the purposeful actions that followed their words.

On this day, I'm thankful for my core group of friends who helped me believe in myself, and I'm thankful for the music we shared together as kids and continue to share today with old and new songs.

The playlist(s) this week are 220 songs as it is contains some of the best music I ever heard when first released 50 years ago that has endured the test of time. To quote John Lennon on the roof of Abbey Road Studios in the Let It Be film, "I would like to say thank you on behalf of the group and ourselves, and I hope we've passed the audition." Yes John, your band certainly passed the audition- giving all the people you inspired to pick up musical instruments and make rock 'n' roll. Those musicians and the listening fans from all over the world are forever indebted and eternally grateful for the music of 

(Note- I just discovered this morning in publishing the blog that an embedded YouTube playlist will only display 200 videos, damnit-all. So, I have taken the last 20 videos and created a Part II Playlist and embedded below the first playlist. There's some great songs in the last group of 20, including the last song which has a lot of meaning to me.)

Merry Everything! Stay well my friends and mask-up. 

So let's now get back to where we once belonged.

 

 Reference:

• 1970 in music. Wikipedia

Christmas Mix 2020

Christmas Mix
2015 • 2016 • 2017 • 2018 • 2019 • 2020 • 2021 • 2022

Santa Santa, Surfin' Santa Claus

Here he comes, Here he comes

Surfin' Santa Claus

Bringin' toys for girls and boys

Surfin' Santa Claus

–Joe Lubin & Stan Stan Stenner

Sometime in the middle of the year, I usually create a YouTube Playlist called Christmas Mix for that year and just start squirreling away traditional and alternative songs that I think would make a good mix with no general theme in mind. I have one general goal with the Mix- to be a little different and always make Christmas a little more inclusive no matter one's belief system. With that said, it should be noted that a lot of great artists have made some terrible Christmas albums over the years, and a streaming playlist is one remedy to broaden the category of 'Christmas Music.'

Being from San Diego, my first idea for this year was a Surfin' Santa theme. Then I started looking for a good graphic. When I found the 'Merry Christmas 1942' graphic above it had everything I wanted, a traditional Coca-Cola® Santa surfing, and then a new thought, 1942- with all the great musicians born that year.

The class of '42 includes: Paul McCartney, Aretha Franklin, Brian Wilson, Carole King, Jimi Hendrix, Graham Nash, Leon Russell, Barbara Streisand, and Roger McGuinn. I've included at least one song from my short list of musical greats born that year, and if you're interested, here's a complete list of musicians and singers born in 1942. 

Also, I can't ignore the elephant in the room, the original 1942 release of Irving Berlin's White Christmas by Bing Crosby, the #1 selling single of all-time with more than 50 million sales alone. 

This is all a bit ironic for me as when I started the Christmas Mix in 2015, I tried to generally avoid the sappy standards with White Christmas being at the top of the list. For me it's like eating turkey every year at Thanksgiving since my birth. I can imagine my dad saying to my mom when I'm a baby, "Fern just put a slice in the blender, he'll be fine." Anyway, I just got to the point where I couldn't take turkey anymore, same for White Christmas.  I get this 1942 idea from the graphic and low and behold, White Christmas is released that year. So, I start reading about White Christmas, and then I read this about Bing Crosby.

According to Crosby's nephew, Howard Crosby, "I once asked Uncle Bing about the most difficult thing he ever had to do during his entertainment career… He said in December, 1944, he was in a USO show with Bob Hope and the Andrews Sisters. They did an outdoor show in northern France… he had to stand there and sing 'White Christmas' with 100,000 G.I.s in tears without breaking down himself. Of course, a lot of those boys were killed in the Battle of the Bulge a few days later." Wikipedia

Sweet Jesus, that made me cry too. So Irving and Bing, I yield the space here, thinking of all the babies born during war, and their dads fighting around the world wishing they were home with their families. 

It should also be noted that today is as Franklin Roosevelt told congress, "December 7, 1941- a date which will live in infamy—the United States of America was suddenly and deliberately attacked by naval and air forces of the Empire of Japan." The attack on Pearl Harbor thrust us into World War II, and changed our country overnight. White Christmas coming out the following year was a song we needed to hear as a nation and the world needed too. The lyrics, I'm dreaming of a white Christmas, Just like the ones I used to know, were in 1942, as impactful as any song that's ever been recorded. The history and power of this song endures.

 

Then, I thought about the babies born this year in the time of coronavirus. My granddaughter was born April 17, 2020. This virus is a different kind of war, but a worthy advisory nevertheless. Somehow our country has to band together as if we are in a world war against fascism, everybody on the same page working for our victory, all together. 

As a war baby himself, Paul McCartney grew up reading the British children's comic strip and books, Rupert Bear. In 1984, Paul wrote the song, We All Stand Together, arranged and produced by George Martin and made into a short film about Rupert Bear. The song has just been released again with the animated video and included here in my playlist Mix in several versions. 

These World War II children knew a thing about banding together in a crisis and maybe a reason, they're the greatest generation of rock 'n' roll. Sir Paul was no exception, and even if this song's about frogs, you'll feel the bond, like a lot of his work. His lyrics have now come back around in 2020 and a perfect theme for this season and moving forward together during this difficult time. I also have to think this generation of children are maybe special too, and will know how to stand together when the chips are down when they are the decision-makers.

Win Or Lose, Sink Or Swim
One Thing Is Certain We'll Never Give In
Side By Side, Hand In Hand
We All Stand Together

Play The Game, Fight The Fight
But What's The Point On A Beautiful Night?
Arm In Arm, Hand In Hand
We All Stand Together

Keeping Us Warm In The Night
La La La La
Walk In The Night
You'll Get It Right

Win Or Lose, Sink Or Swim
One Thing Is Certain We'll Never Give In
Side By Side, Hand In Hand
We All Stand Together

–Paul McCartney 

This has been a rough year for many who have been laid off or lost their small business in the time of coronavirus. However, we begin this coming new year with a fresh start with great hope and energy that will carry our people and country to a better place. 

In good times or bad, music has alway been central to Christmas time as it can take us to a place, the want for peace, comfort and joy, to dream the dream. My Christmas Mix is always a kitchen sink of tunes but I tried to find some songs this year that have that spirit of people needing people to get us through anything if we stick together. 

I like to also think my Christmas Mix might even spark an interesting conversation around the Christmas dinner table, or distanced smartphone video call this year-  

• Why does Uncle Dave (an atheist) love gospel music?
• Is eggnog still a thing? Why can't I just have a White Russian?
• Do you care if someone says, "Happy Holidays" instead of "Merry Christmas?" Who gives a rat's ass in 2021? And who really cares about gay people marrying? Oh yeah... those people.
• Winter Soltice and Christmas, Spring Equinox and Easter, is that timing just a big coincidence? "Hey Uncle Dave, grandma says 'Pagan' is a bad word?"
• Beyoncé, Queen B? Sorry their's only one Queen and that's Retha, period.
• Why does mom always tear up when Carol of the Bells comes on? 

Here's wishing you and your family a Happy Christmas and better days this New Year as we give thanks for the good people around us, no matter our beliefs.

Stay well my friends, and mask-up. We all stand together.

1960's Favorite Female Singers and Songs

1965 Santa Maria, CA 

It's November 1964 and Petula Clark releases her single Downtown and by January, 1965 it is #1 on the U.S. Billboard charts.

A couple of years ago, I was talking to my mom who recalled 1965 and how she would pile my younger siblings- sister Stephanie, brother Steve, and myself into the car (no seat belts) and drive downtown. During this time, my mom was pregnant with our soon to be little sister Susan, born in May of that year. I loved going downtown with my mom as she would take us in different shops on Broadway or Main Street in Santa Maria, CA. Other times she would just leave us in the car to play while she did an errand, like run into the old W.A. Haslam department store. We would jump from the front seat to the back seat and back and forth, windows down and the car unlocked. It was a different time back then.

My mother would often take us into the Blue Chip Stamps store where she (and sometimes me) had licked and pasted the stamps into paper books, that were saved and accumulated to be later redeemed for merchandise at that store. I remember combing the store and making suggestions to mom for what I would like her to buy. She was way ahead of me as she would save for weeks or months to get that item she had in mind.

What struck me about this conversation so many years later was her fondness for the Petula Clark song Downtown and how it would be playing on the car radio or in the stores as she was shopping. It's a great memory for her to share with me, and last week our family celebrated her 84th birthday in Arroyo Grande, CA after a little shopping there. Mom, here's to you and your lifetime love for shopping in many different downtowns across the United States.

My love for music started around 1964 at age nine with the English invasion of pop, and American radio and television. 1964 is just one year after John F. Kennedy's assassination as our nation was ready for some new positive energy and rock 'n' roll surely delivered that year!

It is during this wave of male dominated bands, that women singers start to shine too. More songs were starting to be written for women. Songs featuring solo female singers, mixed duos, mixed groups featuring a female lead singer, mixed groups, and all female groups were popping up everywhere.

Warwick and Bacharach

One such writing pair that literally created a gateway for women in song were Burt Bacharach and his collaboration with lyricist Hal David. These two composed some of the most beautiful pop songs of the 1960's that most often featured a woman's voice.

His music is characterized by unusual chord progressions, influenced by his background in jazz harmony, and uncommon selections of instruments for small orchestras. Most of Bacharach & David's hits were written specifically for and performed by Dionne Warwick, but earlier associations (from 1957 to 1963) saw the composing duo work with Marty Robbins, Perry Como, Gene McDaniels, and Jerry Butler. Following the initial success of these collaborations, Bacharach went on to write hits for Gene Pitney, Cilla Black, Dusty Springfield, Jackie DeShannon, Bobbie Gentry, Tom Jones, Herb Alpert, B. J. Thomas, the Carpenters, among numerous other artists. He arranged, conducted, and produced much of his recorded output. Wikipedia

I then started thinking about another song writing pair Carole King and then husband, Gerry Goffin that delivered so many hits for many groups in the early-mid 1960's and before King became a superstar singer-songwriter herself in the 1970's. 

Ellie Greenwich

My friend, Paul Hobbs last week was telling me on a run at the beach how much he admired Ellie Greenwich as an all around singer-songwriter for many women singers in the 1960's. I then looked her up and dived into her collaboration with her then husband, Jeff Berry. She wrote or co-wrote "Be My Baby", "Christmas (Baby Please Come Home)", "Da Doo Ron Ron", "Leader of the Pack", "Do Wah Diddy Diddy", and "River Deep – Mountain High", among others. Wikipedia

I then discovered that many of these talented writers worked around Bacharach and David with a host of other songwriting teams at the Brill Building in New York City during this magical time of music.

The Brill Building (built in1931) is an office building located at 1619 Broadway on 49th Street in the New York City borough of Manhattan, just north of Times Square and further uptown from the historic musical Tin Pan Alley neighborhood. It is famous for housing music industry offices and studios where some of the most popular American songs were written. It is considered to have been the center of the American music industry that dominated the pop charts in the early 1960s. Wikipedia

Laura Nyro

When I started this week's playlist, one of the first woman singer-songwriters that came to mind was Laura Nyro. She's one of those artists where her music is all over 60's radio whether sung by her or groups like The 5th Dimension, Blood, Sweat and Tears, Three Dog Night or Barbara Streisand. And, guess who also worked at the Brill Building, yes Laura Nyro was right there too!

I assume most of us have a great long-term radio memory as we listened and soaked up songs like a sponge. It's amazing when you hear a song after a long absence, the emotions of the past associated with the song comes pouring out. That is how I felt in putting this 60's women's playlist together and I'm thinking there's several here that will do the same for you.

One song that just rings a sponge of tears for me is Bacharach & David's Alfie. I don't know why this song effects me so, but I first heard the Dionne Warwick version on radio that just calls to me from my youth. I read that it's Bacharach's favorite song of all his songs. Alfie has a perfect blending of masterful lyrics and melody that simply pulls the emotions right out of your soul.

What's it all about, Alfie?

Is it just for the moment we live?

What's it all about when you sort it out, Alfie?

Are we meant to take more than we give

Or are we meant to be kind?

And if only fools are kind, Alfie

Then I guess it's wise to be cruel

And if life belongs only to the strong, Alfie

What will you lend on an old golden rule?

As sure as I believe there's a heaven above, Alfie

I know there's something much more

Something even non-believers can believe in

I believe in love, Alfie

Without true love we just exist, Alfie

Until you find the love you've missed you're nothing, Alfie

When you walk let your heart lead the way

And you'll find love any day, Alfie

Alfie ...

Enjoy the women and their songs my friends in this exceptional period of songwriting and singing.

Women of Heart and Mind

50 Amazing Signs from Women’s Marches Across the Globe

As this year of 2017 wraps up in a couple of weeks, I'm going to pick up with a blog I did in January called, Our Democracy and Takin' It To The Streets. The focus was on the March, 21st Women's March across the world. In the time since, it has been quite a year through the total black hole experience of Donald Trump, and the emergence and sustainability of the #MeToo movement. Even with the dark shadow of Trump, women have emerged from behind all shadows and came to triumph and own this year.

As a man, I've become so sick and tired of male politicians, business moguls, actors and news people evoking their daughters into the public dialog either in their own defense of sexual allegations against them, or pontificating on how they are a protector of women. So, as a father of two daughters, two step-daughters and three granddaughters, I say, BULLSHIT. Men in general need to stop being hypocritical about their simultaneous protection and sexual objectification of women, and simply behave and treat ALL women with respect as equals.

My admiration of women runs deep and started young. I remember when I was probably eleven or twelve years old, I had a paper route. At the end of each month, I would go around and collect the money subscriptions door to door. On occasion, somebody would stiff me by moving out without paying me and I would lose my take as the newspaper delivery rules stated that it was my responsibility to make the collection. On one such occasion, a couple moved and didn't pay me. My mother actually tracked this couple down, took me in her car to their new location, walked with me to the door, and demanded payment when a shocked man opened the door. I'll never forgot the man's expression but better yet, my mom's smile to me on the walk back to the car with the cash in my hand.

As a teenager in the 1970's, I started listening to music as a passion. Men dominated rock 'n' roll but I began listening and buying records by women, especially women singer-songwriters. I loved Carol King, Linda Ronstadt, Carly Simon and Joni Mitchell to name some of the greats of the day. Their perspective in song, helped shape me. If you were a guy back in the day and were into Joni Mitchell, well that didn't hurt in your conversations with girls, but more importantly, Joni made you think about things a little differently than most male songwriters.

During this month, I've watched three TV streaming shows of significance that actually inspired the writing of this post. I recommend you see all three in the weeks ahead. First on Netflix, Godless, a western that turns the "damsels in distress" thing on it's head. Second on Amazon, Good Girls Revolt, a "Mad Men" from a woman's perspective with three key female leads working at Newsweek magazine in 1969-1970. (As a side note- as you watch the opening credits, you'll see a paperboy on his bike throwing a paper somewhere towards a house. I swear to God that kid looked like/was me.) And third on Amazon, The Marvelous Mrs. Maisel, a housewife in the 1950s decides to become a stand-up comic. In all three shows, the women are front and center, great writing, acting and must sees for watching in the year of 2017.

In putting the playlist together for this post, I couldn't help but notice the increased level of empowerment by women singers as the decades rolled up to current times. I hope you enjoy my mix of old and newer songs performed by women of heart and mind, and if you're a guy out there, there's wisdom to be mined here toward our respect, work, and gift of women in our lives. And, a final thought, women are going to save this world, just as they have always done.