50 Years of Music • August, 1970

This week's playlist is dominated by three albums.

The first is Eric Clapton's solo debut, Eric Clapton listened by me many times in 1970 and over the years thanks to pal Ron Zieman's initial purchase of the album.

This week's listen to that album reminded me of a blog I wrote last year as I've grown to appreciate Delaney & Bonnie and Friends (1967-1972) who contributed greatly to Eric Clapton.

In my July 1969, 50 Years of Music blog, I wrote- "The great musicians who passed through this band in the late 60's and early 70's is truly astonishing and a huge influence on why Eric Clapton quit Blind Faith to move towards Bonnie & Delaney's sound, not to mention co-opt much of their band when he formed Derek and the Dominoes in 1970." 

Bonnie and Delaney Bramlett, 1970

In my opinion, Bonnie and Delaney Bramlett simply have not been given the recognition they deserve for developing Clapton's sound in the early 70's. Delaney arranged and produced and Bonnie co-wrote many of the songs on Eric Clapton. You will also hear their influence that Leon Russell brought to Joe Cocker's Mad Dogs and Englishmen in this week's playlist, and bump that back to Russell's time spent as a band member in Delaney & Bonnie and Friends in 1969 as the genesis of Cocker's sound. It is that similar large band and vocals ensemble that Clapton would carry to Derek and the Dominoes and George Harrison leading to All Things Must Pass as Delaney Bramlett also introduced Harrison to slide guitar.

Eric Clapton was Eric's first solo album but was very much a collaborative project with the Bramlett's. As time marches on, I believe most people have never heard of Delaney & Bonnie and Friends, or simply, "Bonnie and Delaney" as we used to call them back in the day. Bonnie and Delaney got me thinking about 'influence' this past week and that most influential people are in fact forgotten, but their influence lives on in others work.

The second album is Spirit in the Dark by Aretha Franklin, an album I had never listened to until last week.

In fifty years, I can look back to my youth without musical judgement in the sense of my small town cultural exposure at fifteen versus my cumulative cultural experiences now into my sixty-fifth year. Stevie Wonder's August, 1970 Signed, Sealed, Delivered I'm Yours was a monster hit on pop AM radio that opened that R&B door a little wider for me, but there was not much 'Retha on my local radio dial back then to turn my head in her direction.
(Hey Nineteen that's 'Retha Franklin, she don't remember the Queen of Soul –Steely Dan)

What I can appreciate all these years later in Aretha's Spirit in the Dark is her complete mastery as a writer, singer and kick ass piano player. This was her seventeenth studio album and she also knew a thing or two about attracting a crowd of very talented people around her. The record includes three of the top producers in recording history with Tom Dowd, Arif Mardin and Jerry Wexler. The supporting band members include, Duane Allman and the famous Muscle Shoals Rhythm Section.

The third album is Stage Fright by The Band and in this listen, I have a greater appreciation in how they used three different singers that could lead a song or provide backup vocals for each other. I've always loved Rick Danko's voice as I use the The Last Waltz video clip of the title song Stage Fright to feature the band. In my blog last week, The Band was on several reader's top five bands of all-time list.

For me, Stage Fright just keeps getting better as it stands the test of time as any of their albums. In fact as I was listening to this album this week it made me think about the many artists and bands in the mid-1970's through 80's that lost their rock 'n' roll way. Radio creatures like country pop or that stupid soft jazz tenor saxophone phase finally gave way in the 90's to older and newer bands reclaiming a more authentic 'Americana sound' like well, The Band.

Thanks to Paul and Duskin Hobbs
for this book recommendation

In 2020 everybody loves The Band and if you feel the same way, I highly recommend reading, This Wheel's on Fire: Levon Helm and the Story of the Band. I'm only a quarter way in and I'm completely hooked with Levon Helm's folksy writing style and the stories he tells that are just so spellbinding. I keep saying to myself as I'm reading, "This book would be a fantastic movie!"

By the way, If you have never seen the 1980 movie, Coal Miner's Daughter it is a good one to catch. In fact, the first half of that movie where Levon Helm plays Loretta Lynn's father is outstanding! He is right there with Sissy Spacek and Tommy Lee Jones and if you read Levon's book above, you'll see from his childhood how he poured that right into his performance in that movie.

I hope you will also enjoy this eclectic mix from The Moody Blues, Canned Heat, The Beach Boys, The Carpenters, Little Richard, Roberta Flack, The Mothers of Invention, and Judy Collins.  This weeks 50 song playlist ends with a few select video clips from the now famous Isle of Wight Festival, in August of 1970.

The Isle of Wight Festival is a British music festival which takes place annually in Newport on the Isle of Wight, England. It was originally a counterculture event held from 1968 to 1970.

This event was held between 26 and 30 August 1970 at Afton Down. Attendance has been estimated by the Guinness Book of Records to have been 600,000 or even 700,000, due to an announcement by British Rail at that time concerning the amount of sold ferry tickets, although promoter Ray Foulk has said he believes it to have been only half of that. It was widely reported on, due to its line-up and extremely high attendance. Acts included Jimi Hendrix, Miles Davis, Jethro Tull, Ten Years After, Chicago, The Doors, Lighthouse, The Who (whose set produced a live album), Emerson, Lake & Palmer, The Moody Blues, Joan Baez, Free, Joni Mitchell, Leonard Cohen, Kris Kristofferson, Donovan, John Sebastian, Terry Reid, Taste, and Shawn Phillips. Wikipedia

Dear Mr. Fantasy...

Dear Mr. Fantasy play us a tune

Something to make us all happy

Do anything, take us out of this gloom

Sing a song, play guitar, make it snappy

–Steve Winwood, Jim Capaldi, Chris Wood

It's February 8, 2020 and Mary Kit and I are at Caesar's Palace in Las Vegas. We walk into the Forum Shops which is this huge indoor complex of stores and restaurants. We have dinner reservations at Trevi. Trevi is the open Italian restaurant next to the Fountain of the Gods and we have a wonderful dinner to the sound of splashing water that almost drowns out the sound of the horde of tourists around us. We are about to see Van Morrison at his sold-out residency at the Colosseum. The ceiling is a consumer's paradise with a fanciful painted sky designed to transport you to a different place, a different time... 

COVID-19 is about to be a BIG THING, we just don't know it yet as we sit down to dinner with thousands of people around us, and then later see a wonderful concert. We come back to enjoy our hotel at the MGM Signature. The Lazy River pool is closed for winter, but we'll be back in late May to enjoy it when we come to see Sting on May 27th, and Sheryl Crow on May 28th... 

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Dear Mr. Fantasy,

It's March 15th and Mary Kit has gotten me an early birthday present, tickets to see Livingston Taylor at Humphreys Backstage Live. This is like a supper club, and we have seats up front about 10 feet from the stage. I have never seen Livingston live and looking forward to hearing songs like, Carolina Day. What a dinner, Mary Kit wants to mention the lobster bisque, and what a wonderful show! Livingston was fantastic, very engaging with the audience as you can see from the excellent footage I shot and spliced together with my iPhone...

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Dear Mr. Fantasy,

It's March 24th and Mary Kit has gotten me another early birthday present, tickets to see Joan Osborne and The Weepies at Edmonds Center For The Arts in Washington. I have never seen Joan Osborne or the opening act The Weepies, but love both and couldn't wait to see them in this intimate 700 seat theater.

The Weepies performed one of my favorite songs, Take It From Me. I must say, the theater is a stickler about shooting video, and the usher did in fact take my phone away from me, but not before I got this...

Next up was Joan Osborne who also performed one of my favorite songs of all-time, One of Us. Now since they took my phone from me, Mary Kit put her coat in her lap and shot this very steady clip from under her coat, I must say this was great camera work, what a team! We also enjoyed our trip up to Seattle and got to have a big family get together and potluck with all of Mary Kit's kids and our grandchildren. We can't wait for our next visit... 

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Dear Mr. Fantasy,

It's May 8th and we get to see The Rolling Stones in our own backyard, just 5 minutes (a stones throw) down the road from us at Qualcomm Stadium (now called CCSomethingCreditUnion). If you remember my huge lament back in October 19, 2016, where the Stones had to cancel their concert because Mick developed 'Bad Laryngitis' at Coachella a few nights before. We had just arrived from San Diego on October 18th, got into our hotel when the news come to use via our iPhones. So now we finally got to see our rock heroes because lightening couldn't possibly strike us twice, right?

We both have never seen The Rolling Stones live before and couldn't wait to hear, You Can't Always Get What You Want. Anyway, the show was absolutely phenomenal! Here's an official 2003 clip of the song live, but it really doesn't matter because all these guys look exactly the same today, well Keith may have a few more deep wrinkles now. 

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Dear Mr. Fantasy,

It's just last week, May 27-28. Yes we are back in Las Vegas where I'm writing this blog. Man the Southwest flight was packed, but we took our Airborne Fruit Gummies before we left, so I think we're good. 

First, we saw Sting at his residency at Caesar's Palace, just like Van Morrison back in February. Boy, time flies but other than the weather being warmer, everything is always the same in Lost Wages. Hey, the Lazy River was awesome and we even got those frozen rum pool drinks. My advise is not to have three and then get into fast moving water! Lesson learned.

Sting also looks the same as he did twenty years ago, maybe there really is something to that tantric thing? The show was great, but everybody was saying, Don't Stand So Close To Me, which is also a great song of his! Anyway, before the show, Sting was hanging out at one of the pools with a thousand friends, and this was a video I took on my phone as we just happened upon this cool party!

Then on May 28th, Sheryl Crow did a benefit concert for the Sands Cares INSPIRE charity at the Venetian. It was a great show and she did one of my favorites, Every Day Is A Winding Road. I was thinking about that song today as it can be appropriate for one's interpersonal life as well as for people enduring a crisis day in and day out.

Music is always at the heart of tapping at our core emotions. I love going to these live shows and experiencing an artist's music in a concert hall with an audience all together in a common spirit of joy and happiness. It would be so sad if something happened to take that all away, even if it was only for a year, could you imagine that! I know that's a weird thought, but sure makes me want to appreciate all the things like live music that we take for granted.

Sincerely yours,
Doug and Mary Kit

References

Now for all the concerts I have missed in my life, my friend Ron Zieman was telling me about the 2009 concert tour with Steve Winwood and Eric Clapton together. Ron said it was spectacular show at the MGM Grand in Las Vegas. That really would have been one to see, like so many others... Here's Steve Winwood and Eric Clapton performing, Dear Mr. Fantasy at the 2010 CrossRoads Guitar Festival.

Also, thanks to YouTube, the artists, and the concert goers who posted the live concert videos that I 'borrowed' for today's fantasy. Mary Kit and I hope to see all these musicians someday live in concert.

Echo in the Canyon

Rickenbacker 360-12 Electric Guitar

 So I finally got a chance to see the Andrew Slater documentary echo in the canyon (2018) starring Jacob Dylan and just released this past week on Netflix and linked here.

This documentary has gotten a few harsh reviews, as notably Joni Mitchell is not even mentioned, even in the context of the California Sound evolving from surfing and car songs to more socially conscious and interpersonal songs. For god's sake, as a Laurel Canyon resident who released Ladies of the Canyon in 1970 she (and The Doors) deserved a little shout out here. Also the overuse  of clips from the 1969 art film Model Shop as Slater's and Dylan's inspiration for the documentary is annoying but is easily put aside.

With that said, this 1 hour and 22 minute doc has plenty of great clips of its own as you get a snapshot of the the mid to late 60's in Laurel Canyon with some of the famous musicians who lived there and some famous musicians who didn't. My favorite was getting to watch Tom Petty talk about music one more time as this was his last recorded interview. The beginning of the film with Tom is a fantastic hook that for me is my ultimate sweet spot of Monday Monday jingle jangle 60's rock 'n' roll and my original inspiration for writing this blog. For me, learning anything new about three of my all-time favorite bands- The Mamas & The Papas, The Byrds, and Buffalo Springfield are gem pieces to the rock 'n' roll puzzle for those of us who just can't get enough of this stuff. Man, to have a time machine and be a young adult in Laurel Canyon and on the Sunset Strip in the mid-sixties, would be...

Here's several key elements that make this film 'a must see' that covers the folk to folk rock transformation.

This starts with the transition of folk musicians and studio recording in New York mostly moving to Los Angeles shortly after The Beatles stepped off the plane in 1964. John Sebastian tells how Roger McGuinn started singing Beatles' songs in folk clubs in New York and Los Angeles with no success but with the guts of a pioneer and a Beatles inspired 12 string Rickenbacker 360-12 electric guitar. 

In the film, Roger McGuinn gets a much deserved feature as a major architect from musicians singing folk songs with acoustic guitars to composing folk rock songs with electric guitars. Here's a quick clip (not in the film) of Roger and his Rickenbacker.

In the film, Roger and The Byrds take traditional folk songs like Pete Seeger's The Bells of Rhymney and transform it in their 1965 version. Here's a set of clips, first with Seeger's original version, and then The Byrds.

I also enjoyed the conversations with famous musicians who discuss how art is a continual process of iteration and the 'cross pollination' of songs that influence song writing. I bought a book a couple of years ago by Austin Kleon with the perfect title to describe this process of creativity, Steal like an Artist. In the 1960's, Laurel Canyon becomes such a place where collaboration + competition = creativity. One example from the doc, is how George Harrison adapts Roger's riffs on The Byrds version of The Bells of Rhymney that influence him in his 1965 song, If I Needed Someone.



Then, Brian Wilson is blown away by Rubber Soul and that inspires him to write Pet Sounds in 1966. In turn, The Beatles are inspired by Pet Sounds, and in 1967 create Sgt. Pepper's Lonely Hearts Club Band. (As a side note to the playlist below- I also include Buffalo Springfield's (Stephen Stills) Questions, which morphs into Carry On with Crosby, Stills, Nash & Young, and then Eric Clapton adapts the Questions riff for his song, Let It Rain (1970) .

July 25, 1965 - Newport Folk Festival

The film's MC role is played with perfect Bob Dylan DNA detachment by son Jakob Dylan, born in 1969. I think son Dylan does a great job tapping into dad's influence without mentioning his name. As the greatest songwriter of his generation, Bob Dylan himself also makes the historic transition from acoustic folk to electric rock 'n' roll and turns the music world on its head at the 1965 Newport Folk Festival.

As the documentary unfolds, I realize Jakob is the perfect medium to tell this story. His quiet casual manner and approach to the material works perfectly for the famous musicians who take his questions and run with it (e.g. David Crosby, Stephen Stills, Graham Nash, Tom Petty,  Eric Clapton, Brian Wilson, Jackson Browne, Lou Adler and Michelle Phillips).

Jakob brings in his own generation of musicians to update 13 songs from the California Sound era that in their interpretation remain both current and true to the originals. In the playlist below, I start with the original 60's version and then follow it with the Jakob and friends take. I love his selections as Jakob goes for some of the deeper cuts, not just the hits and hey that's my kind of playlist! I highly recommend you make the time to watch echo in the canyon this week on Netflix, it's a trip!

Eric Clapton, Part II - the long run

I start this with a sub-blog that I'll call,
'Legends with Laryngitis' thinking back to October 19, 2016. MK and I had flown into Las Vegas the day before like thousands of other Rolling Stones fans to see "the boys" at the new T-Mobile Arena. As luck would have it, Mick told reporters, "I've got bad laryngitis. I do apologize to everyone who bought tickets." You see, the Stones had just finished their gig at Desert Trip 2016 a.k.a. "Oldchella" where Mr. Jagger first picked up the tickle in the warm desert air. Unfortunately for us, that show was cancelled outright and not to be made up as the Stones were rolling along on their world tour, as I believe Foxborough, Mass. and then Germany were next up at the time.

Then, my birthday present from MK on March 25, 2017 and the Eric Clapton "short" tour at the LA Forum. Eric had just finished a two night engagement at Madison Square Garden and had developed SEVERE BRONCHITIS cancelling the LA shows and rescheduling for this past Wednesday, September 13, 2017. Well now, I'm starting to take this personally.

Next Legend, Tom Petty and the Heartbreakers, on August 19, 2017. Now third time's the charm as MK and I are crossing our fingers as Tom is on this massive 40th Anniversary Tour and we are praying to Clapton (is god) that the rock 'n' roll heavens can't do this laryngitis/bronchitis thing again to our bucket list plans. Well, the show happens on schedule! Tom and the Heartbreakers were absolutely fantastic and we had a wonderful time. Then a couple of days later I read this on my phone, “As Tom Petty heals from laryngitis and bronchitis, additional changes are required for the remainder of Tom Petty & The Heartbreakers’ Bay Area & Sacramento performances. We share this news with regret, but Tom’s doctor has advised Tom to take additional days off before performing."

What the... we just made that Safco Stadium show in Seattle by the skin of our teeth! Tom did make up those shows, but as Jerry Seinfeld said to Uncle Leo-

Jerry Seinfeld: C'mon, you're lucky to have anybody.

Uncle Leo: Last week you told me I was in my prime, I should be swinging.

Jerry Seinfeld: Swinging? What are you, out of your mind? Look at you, you're disgusting. You're bald, you're paunchy, all kinds of sounds are emanating from your body twenty-four hours a day. If there's a woman that can take your presence for more than ten consecutive seconds, you should hang on to her like grim death. Which is not far off, by the way.

So as of this writing, Mick, Eric and Tom are fine (I'm sure) but their touring days are indeed numbered. But as I write that line, I'm thinking of Mick as the 'energizer bunny' and maybe I still have a shot at the Stones.

And one last thing about laryngitis, or sounding that way. I saw this past week that Bob Dylan's going back out on tour again with his "Never Ending Tour." I miss Bob's voice, maybe a lesson for young singers/musicians not to smoke and mess with the most beautiful instrument you're born with. Smoking is like the lottery. You can be rarely lucky like Eric Clapton (who wonders why he is even still alive). He kept his singing voice while smoking his whole life (not to mention the drugs and alcohol), or you can sound like Joni Mitchell, Stephen Stills and Bob Dylan to name a few of my heroes after a lifetime of smoke. Sorry, the parent in me still sometimes comes out.

Now, let's get back to Eric and that September 13th make up show at the Fabulous Forum that MK and I just saw this past Wednesday.

Here's my smartphone shot as MK and I are seated center back, just up from the floor, thanks love. I'm using this picture to kick off Part II of Eric Clapton and if you missed my last week Monday Monday Music, here is the link to, Eric Clapton, Part I - god and hippy heaven. In Part I, I go into my youth (again?) and Clapton as the quintessential guitar god of my generation notwithstanding Jimi Hendrix, who died 47 years ago today at the young age of 27. Anyway, the show is billed as A Celebration of 50 Years of Music that goes back to Cream in 1967, and I couldn't wait to hear him do Sunshine of your Love as it's part of the setlist, and a little piece of my youth. Sadly, that didn't happen, as he cut it from the encore, but that's ok, I have it on this week's playlist from the Cream 2005 reunion at the Royal Albert Hall.

But, and I say "but" in a good way, Part II of Eric Clapton's story has a lot of acoustic guitar that he features heavily in the middle set of the show. These latest shows are actually a real blessing for the faithful as Eric's recent diagnosis of peripheral neuropathy puts a dark cloud out there. But you would never know, as technically his electric and acoustic playing were sensational and as I said, Eric still has his wonderful singing voice, if only slightly diminished in volume. For me, the highlight was Nobody Knows You When You're Down and Out from the 1992 Unplugged sessions. It's a song that speaks to all of us, but for Eric, after his heroin addiction and continued struggles with alcoholism for many years, divorces, and the tragic death of his 4 year old son, Mr. Clapton did indeed live the blues. All of this is covered in the upcoming Showtime documentary, Eric Clapton: Life in 12 Bars coming out in February, 2018.

I would agree with the NY Times review of the show in March, that the show was 'subdued.' The recent LA Times review is titled, Eric Clapton at the Forum: Was it dullness or was it bliss? I'm going to say both. If you grew up with Clapton, you felt that raw energy right there in the records, the way I feel about the opening act at last Wednesday's show, Gary Clark Jr. Gary just pulls you in with the power of his guitar and voice. This was my second time seeing Gary live, and I wanted more. For Eric, was it a great show? No, but a very good show. This was a performing goodbye and I thank him for the opportunity and bliss. And just remember back as Jack Bruce said at the end of the live Crossroads recording on Wheels of Fire, "Eric Clapton please." In this very long run, please there has been no one like him. Through rock, he became the most influential keeper of the blues for generations across the world through the airwaves and into our beating hearts.

Eric Clapton, Part I - god and hippy heaven

There's possibly nothing that I can write here that you don't already know about Eric Clapton. I'm going to just rely on my memory of those exciting early years between 1967-1974, the period that incompasses my junior and senior high years and the first year of community college for me.

Eric Clapton was born March 30, 1945 and I was born 10 years later (and almost to the day) on March 26, 1955. I bring that up because that is the heart of the baby boomer generation years. For all the rock 'n' roll stars born right after World War II, many got started in the early 1960's and by their early 20's were hitting a magical stride. Eric Clapton's early successes with the Yardbirds and John Mayall's Bluesbreakers set him up for starting Cream in 1966 and then, the release of Disraeli Gears in 1967 with Sunshine of Your Love in the Summer of Love. So, I'm in junior high in 1967 being a wanna be hippie and Eric Clapton is the coolest hippie (with all respect to Jimi Hendrix) on the planet. Notwithstanding Eric's guitar play along with a great singing voice, he had more hair styles and girl friends than anyone. A ten year age difference means nothing now, but the difference between the ages of 12 and 22 are a lifetime where small town adolescent dreams of being part of something bigger got a little squished while being forced to get a haircut and tuck in that shirt.

I'll move ahead to 1969 when Eric formed Blind Faith with Steve Winwood, Ginger Baker and Ric Grech. That album was released in August, 1969 and on August 16th, Blind Faith played the Earl Warren Showgrounds in Santa Barbara. On that night, two of my best friends, Ron Zieman and Paul Hobbs were being driven down the 70 miles to Santa Barbara from Santa Maria, CA by Paul's parents. My buddies were about to actually experience "that something bigger" that I was just referring to above. As Paul's parents dropped them off at the gate, I don't think Paul's or Ron's parents had a clue what their kids were about to see and hear. I spoke with Ron yesterday about this concert and he said, that neither Paul or he (and their friend Brian Punches who came with them) had a clue what they were about to experience. I have the audio of the show on my Youtube playlist for this week and the promoter starts by coming to the mic and pleading with crowd to not let any more gate crashers come into the Showgrounds. Ron recalls the evening by saying it was a transforming event for the boys. He remembers a guy with a brown paper bag sprinkling little paper tabs of acid throughout the crowd. The boys did not partake, but I understand brought some home for souvenirs; something you would hide in the bottom of your sock drawer and look at every now and then, just to take you back to those moments. So the air is heavy with pot smoke, people dancing and two girls right behind the boys take their tops off for the whole show. Yes, there is a god and he's on stage!

Back in 1969, I remember Ron telling me much of what he told me yesterday. I was so damn jealous as this wonderful story unfolded, how the band was fantastic and the people, it was... hippy heaven!

I remember camping with my parents on the Kings River around that time. I had just spent a week up at Hume Lake Christian Camp and then was back with my parents and siblings on a Kings River family vacation. There were hippies camping and hiking all around us. I remember walking back to our camp by the river trail and this 20 something hippy with long hair, beard, plaid shirt and backpack comes walking by me and says, in a friendly low voice, "howdy." Something very small, but a cool memory.

Eric then forms Derek and the Dominoes and releases Layla and other Assorted Love Songs in 1970. Bell Bottom Blues is one of my favorite songs and sign of the times. Then also in 1970, his first solo album, Eric Clapton, which has so many good people on it, such a great classic, including Let it Rain.

Then, the four year absence due to his three year heroin addiction. It's here as I'm getting a little older in 1974 and after reading about his addiction and purchasing 461 Ocean Boulevard that I realized this guy is very human, in fact fraught with frailties. I remember listening to this album in my bedroom, thinking this guy's getting back in the saddle again and he's clean and at the beach. But it's a different time, hippy heaven is over, I'm now in college and where have all the protests gone?  Hey, I have a real girlfriend, a car and I like this new Eric Clapton song, Let it Grow.

Fast forward, September 13, 2017 coming this Wednesday to the Fabulous Forum in Los Angeles is Eric Clapton with Jimmie Vaughan and Gary Clark Jr. I'm going and can't wait, and I've been waiting a long time to see this rock god. I'll let you know my thoughts, past and present in my Eric Clapton, Part II blog next week.

Lucille, the thrill is gone but not forgotten

This past Thursday, Riley B. King passed away at 89 in his home in Las Vegas. We all know him as B.B. King, the most influential Blues guitarist of all time. As Rock 'n' Roll was birthed from the Blues, B.B. is simply King of the Blues and the master of the solo to all the younger electric guitarists coming up in the 60's. B.B. King thrilled these young players as they emulated his style and in turn, these great players thrilled us beyond imagination.


Here is Buddy Guy's statement.

“This morning, I come to you all with a heavy heart. BB King was the greatest guy I ever met. The tone he got out of that guitar, the way he shook his left wrist, the way he squeezed the strings… man, he came out with that and it was all new to the whole guitar playin’ world. He could play so smooth, he didn’t have to put on a show. The way BB did it is the way we all do it now. He was my best friend and father to us all.

I’ll miss you, B. I love you and I promise I will keep these damn Blues alive. Rest well.

All my love,

Buddy”

Here is Eric Clapton's video message on the passing of his mentor and friend. 

B.B. King was a wonderful person and will be remembered not only for his great guitar playing and singing of the Blues, but also as a kind soul who opened up his heart to people and taught us how to share our talent with each other.

I must have played more than 50 videos on YouTube this past week putting together this playlist. I narrowed it down to 10 for your pleasure. Ladies and Gentlemen, the King of the Blues.

Please just... Let it Rain (Updated)

Rainy Days and Mondays (1971) by the Carpenters always assaulted the senses of my crowd growing up in the 60's and 70's as most of us linked the brother and sister duo with the Lawrence Welk view of the world. Well last night and this morning, it has been raining in Southern California, and that SONG just creeped back into my head, "Raining days and Mondays always get me down."  Bummer! Just please disregard that as I'm going to try to keep this blog upbeat and a way to start your week. So if you live in So Cal you know that rain is a very good thing after four straight years of drought. Let's all hope we can keep getting some more of the wet stuff coming our way!

Oh, it appears my blog post is too late, I see the sun now shining through as I write this line. This screws up my whole bit here, I was going to feature Eric Clapton's Let it Rain, but might have to switch to George Harrison's, Here Comes the Sun.

Well I'm going to be water optimist and stick with Let it Rain,
co written by Delaney Bramlett and Eric Clapton on his 1970 debut solo album, Eric Clapton.

And so, a hippy rain dance....

1969, girls, cars and Badge (Updated)

This week's post is inspired by my daughter-in-law's Twitter post @kimzebor from Mashable's That '60s show: What American high school students dressed like in 1969, Oct. 1969 Hippie high school, When students (and teachers) turned on, tuned in, and dropped classes by Chris Wild, Retronaut. Once seeing these images, My own time machine started reeling in the years back when I started Santa Maria High School in September, 1969 as a freshman. In the fourth picture down, (shown here on the right) is an image which includes a MG (Model A) sports car in the background similar to my '57 MGA and first car, purchased when I was a junior. What a time!

So I got to thinking about 1969 and the songs that came out that year. I first thought about the Beatles White Album, but that was actually released in November, 1968 and then I remembered how my sister and I loaded in with my good friend Ron Zieman, his sister and parents into their family station wagon and drove to Santa Barbara for Christmas shopping. In a department store, Ron had found the new White Album and got it as a present. I can't remember if he had to wait until Christmas, but I imagine we went straight to his bedroom and immediately listened to it, like so many other albums of the day - CCR, Buffalo Springfield, The Rolling Stones and one of Ron's favorite bands, Cream.

Cream had broken up in 1968 and released Goodbye in the United States in February, 1969. The album as a whole is a bit forgettable in that there are three live tracks and three original tracks from the band. Badge is the definitive single from the album and is one of my all-time favorite songs. Badge has a very distinctive Abbey Road (released 9/26/69) guitar sound that is attributed to the master collaboration of Eric Clapton and George Harrison (who co wrote Badge and is listed as "L'Angelo Misterioso" – rhythm guitar on the original jacket back cover, click on below.) The guitar solo is so Beatlesque, your ears say it is George, but Eric would have to tell us, how it all came to be. So without further adieu, one of the best songs of 1969 and all time.