I rarely include every song from every album I feature, but I believe the January, 1974 releases were that good.
Court and Spark, Joni Mitchell
Joni Mitchell's most popular album of her career and is the album that cements her as one of the greatest singer-songwriters of all time.
Wild Tales, Graham Nash
Graham Nash puts out a good solid album, nothing that compares to his old girlfriend, but he's in a very large group when being compared to Joni.
The Phosphorescent Rat, Hot Tuna
Hot Tuna is a band I never listened to as a young person. As an older person I can now appreciate Jorma Kaukonen (guitars) and Jack Casady (bass) talent as musicians not only as former members of Jefferson Airplane, but also their ability to write very catchy songs that should have gained them more popular attention back in the day as Hot Tuna.
Grievous Angel, Gram Parsons
Gram Parsons makes the best album of his far too short career, cut short by a combination of a alcohol and morphine overdose. Parsons died at the tender age of 26 on September 19, 1973. I believe if Parsons had lived to see many more years, we would be talking about him in Willie Nelson terms. From my perspective, I see Gram Parsons and Emmylou Harris as the modern birth parents of the Americana genre.
Planet Waves, Bob Dylan
Bob Dylan can still sing in 1974 and Planet Waves is one of his most passed over albums. Anybody who has The Band as their backup band is going to make an album people are going to listen to. I love that he includes both the fast and slow version of Forever Young on the same album. Bob's average work would be other artists greatest albums.
Hot Cakes, Carly Simon
She and James are making babies and great albums together and I'm going to be shattered in a few years when they break up. It would be just another chapter in my personal end of the innocence moments of my early twenties.
Billboard Top 100, January, 1974
Here are a few picks scattered about from the January, 1974 Billboard 100 as most of these songs were released in 1973 but hey, you don't mind.
Enjoy the playlist my friends. May you stay forever young.
Joni Mitchell is special to so many people. Her songs have touched women and men alike ever since she burst on the scene in the late 60's. Joni didn't invent the interpersonal song, but the combination of her songwriting and singing sinks deep into one's soul.
With Joni's health issues over the past several years, there's now an added sentiment as the outpouring of love for this woman of heart and mind is immense. If John Lennon still lives in your heart, Joni's probably right there too. It's very personal.
In planning this post, I thought I'd begin with Judy Collins' cover of Both Sides Now because it was a top ten hit in 1967 when I was in junior high and the first Joni Mitchell song I ever heard, you too?
Next comes, Crosby, Stills, Nash & Young's cover of Woodstock off the band's epic Déjà vu album as a solid second choice. After that it's pretty random, but I will say Madison Cunningham's cover of California came across my YouTube feed recently and really was the jump-start to make this playlist. (Note- The volume on Madison's home produced video will need to be turned up.) Anyway, if you read this blog on a regular basis, you know I think Madison Cunningham is special too.
Sitting in a park in Paris, France
Reading the news and it sure looks bad
They won't give peace a chance
That was just a dream some of us had
For this Volume I, it was was easy to find a ton of Joni Mitchell covers on YouTube. She has inspired so many people to pick up a guitar or sit at a piano and learn to play music from one of the best singer-songwriters of all-time.
But here's the thing, I can't tell you how many passess on covers I made to make this playlist. I'm not just talking about the budding musicians on YouTube, but for the many professional artists who've taken on this task and realized that performing a Joni Mitchell song is much much harder than it would appear.
I thought I'd knock out this blog in a day including the playlist, but I think I'm in day three now with about only 20 songs that pass mustard. It's just my opinion, but for every good 1 in 10 Bob Dylan cover, it's probably like 1 in a 100 for someone to get my attention with their Joni Mitchell cover. Even most of the live Joni tribute efforts got a pass from me this week as it often takes even the most gifted artists some professional studio time to put out a worthy interpretation.
For example with one of my favorite songs, Don't Interrupt The Sorrow, I just had to give up trying to find a cover for the playlist after pouring through many videos of the song. I think I spent an hour alone on this one song, and then had to get up and do something different. There's just a way that Joni herself performs her own material that makes it hard to duplicate. I'm playing the song in my head right now and she's got me totally under her spell.
Don't interrupt the sorrow
Darn right
He says, "we walked on the moon
You be polite"
Don't let up the sorrow
Death and birth and death and birth
And death and birth
He says, "bring that bottle kindly
And I'll pad your purse
I've got a head full of quandary
And a mighty, mighty, thirst"
I will have of course not selected your favorite cover, but please feel free to leave a comment as I may include it in this Volume, and for the fact that a Volume II maybe a tough row to hoe for me in the future.
Note- If you make an "Anonymous" entry because the comments tool is kind of a bust unless you have a Google Account in play, just sign your first name and last name to let me know who you are (or at least your last initial) at the end of your comment.
The scope of Joni's influence is unmeasurable whether you are just a listening fan like me or have taken the bold step to walk up to a microphone on a stage and play and/or sing one of her songs, or for that matter, anyone's songs. As an active music listener, my hats off to you! And if you somehow thought I was making fun of the 1 in 100 thing above, that's no slight to anyone who's ever had the courage to hit the record button because if it was so easy everybody would be doing it. Rock on my friends!
So the years spin by and now the boy is 20
Though his dreams have lost some grandeur coming true
There'll be new dreams, maybe better dreams and plenty
Never grow old, never, ever die young –James Taylor
2020 was as they say, "A bad year."
In 2014, I retired from being a teacher as I was with the same school district for thirty-five years. At the time, I couldn't believe that it had actually gone by so fast. My friend Mark Hunter says, "Life is a roll of toilet paper, it starts out slow but at some point that paper roll seems to quickly get smaller and smaller."
As a teacher in a large urban school district, I actually had quite a number of different jobs. My goals as I shifted from special education to general education never included being an administrator. I found that managing other adults was something to avoid and generally gravitated to work that was more project-based. I spend many years mastering the art of lateral movement in a large bureaucracy and discovered how to thrive in the world of grants, or what is often called, "soft money." As a resource teacher, I learned to live close to a money stream where I could personally make change and be a positive difference in students and other teachers lives.
So when I retired from my day job, I was looking to carry that semi-independent streak into being my own boss and start my own educational consulting business with a focus in K-12 learning spaces. I basically worked with vendors who sold furniture and technology to schools where we created new learning spaces from older, traditional learning spaces.
This all went along pretty well for a few years. Then in 2019, business really started slowing down for me, and then the pandemic hit in 2020 to completely finish it off. I folded my tent thinking, "I guess this is it, I'm never going to create a new learning space again."
Sting sings, If You Love Somebody Set Them Free. I don't think I gave up, but that song kept playing in my head, and I resolved to thinking that if I just let the business go, to set it free, that maybe someday it or something else like it, would come back around to me.
After two years, I'm tanned and I'm rested. Bye-bye Covid, I'm ready to go see some rock 'n' roll.
Then I get a call from Dean Smith who is the CEO of his own small business called, D&D Integrated Solutions. Dean and I first met sometime in the 1990's when he was selling security locks for desktop computers. When I started as a consultant, Dean's business had expanded to technology integration and then expanded into being a K-12 furniture dealer as well. As a consultant from 2015-2019, we did a half-dozen fun learning spaces together. But I had plans. I was always looking for something bigger, working with bigger vendors, doing bigger projects. Well you know...
So in March, Dean offers me a job in his business to be a Learning Environment Designer. He actually let me create my own title and as you can probably tell from that comment, I'm delighted to have it, not to mention the freedom to collaborate with his team and school districts, again. Thank you Dean!
This past week, I wrote the first in what I'm hoping will be many blogs for D&D. In an irony of all ironies with respect to my Monday Monday Music™ blog, I got paid to write a blog. How sweet is that!
My first thought after looking at James Taylor's third album, Mudslide Slim and the Blue Horizonwas, is James wearing the same blue shirt as his second album, Sweet Baby James? After examination, they're two different shirts, but wait a minute, yes he's wearing another blue shirt on his fourth album, One Man Dog.
What's my point? I don't really have one. You've just got to love the simplicity that is James Taylor and maybe his fondness for the color blue. During this time in James' life, he was going with Joni Mitchell as she sings backup vocals on three Mudslide Slim songs. I've always loved their voices together. In June of 1971, Joni would release her now revered album, Blue, so maybe a theme was developing.
Here's a 1970 live version of You Can Close Your Eyes, a song James wrote for Joni, where they did a couple of shows together in Europe. Man, what I would have given to have been there. I've always loved this version as a duet with two of the best of all-time during this magical time of acoustic music.
Here's a great story by James about being with Joni Mitchell.
Here's a video by Peter Asher about the making of Mudslide Slim.
Enjoy my friends, stay well and mask-up.
And, here is Mudslide Slim and the Blue Horizon, released in April, 1971.
"The singer-songwriter genre was named around 1970, give or take, and was said to apply to me and, among others Joni Mitchell, Cat Stevens and Jackson Browne. Why that supposed movement didn’t begin with Bob Dylan or even Woody Guthrie or Robert Johnson beats me – maybe they were still “folk”. But, if it means anything, Carol King deserves to be thought of as its epitome. I’d been deep into her songs – Up on the Roof, Natural Woman, Crying in the Rain – for a decade before Danny Kortchmar introduced us in Los Angeles in 1970. She played piano on my Sweet Baby James album while working on the songs for her own Tapestry. Our collaboration, our extended musical conversation over the next three or four years was really something wonderful. I’ve said it before, but Carole and I found we spoke the same language. Not just that we were both musicians but as if we shared a common ear, a parallel musical/emotional path. And we brought this out in one another, I believe.
It was a big change for Carole to leave New York for LA. She left behind an established, hugely successful career as a Brill Building [era] tunesmith, with her husband and lyricist, Gerry Goffin, and went west, on her own, with two young daughters. She started writing by herself, about herself – that is to say, from her own life. It came out of her so strong, so fierce and fresh. So clearly in her own voice. And yet, so immediately accessible, so familiar: you knew these songs already. I had that experience the first time I heard Carole sing You’ve Got a Friend from the stage of the Troubadour: “Oh yeah, that one.” Incredible that this song didn’t always exist. Carole’s focus was her family: [children] Louise and Sherry, and imminently, Levi and Molly. She had no time for the stuff the rest of us in Laurel Canyon were up to. She had her family and her songs. Certainly she would have her adventures, dramatic emotional switchbacks, in years to come. But in those days, she seemed to watch the dancers with a kind, wry detachment. To me, she was a port in the storm, a good and serious person with an astonishing gift, and, of course, a friend."
February 9th is Carole King's 79th birthday, Happy Birthday Carole!
Released in April, 1971
Tapestry, with all of its songs written, co-written and performed by Carole King was recorded 50 years ago in January and released February 10, 1971. It was recorded at the same time James Taylor was recording his new album Mud Slide Slim and the Blue Horizon. Both Joni Mitchell and James (a couple at the time) sing/play on Tapestry as well as James loving and recording King's song from Tapestry, You've Got a Friend. It became a #1 hit for Taylor from Mud Slide Slim as this cross-pollination of friendship and musicianship puts the 'singer-songwriter' as the driving force in rock 'n' roll in 1971.
Tapestry has sold 10 million copies in the U.S. and 25 million worldwide.
It received four Grammy Awards in 1972, including Album of the Year. The lead singles from the album—"It's Too Late" and "I Feel the Earth Move"—spent five weeks at number one on both the Billboard Hot 100 and Easy Listening charts.
Tapestry, topped the U.S. album charts for 15 weeks in 1971 and remained on the charts for more than six years. [The album] held the record for most weeks at No. 1 by a female artist for more than 20 years.
In 2020, Tapestry was ranked number 25 on Rolling Stone's list of the 500 greatest albums of all time. –Wikipedia
By the spring of 1971, everybody in America knew Carole King and her equally famous Tapestry album cover with her long flowing golden curly hair, sweater and jeans in a teenage boy's hippie dream, perched by the window sill with her gray tabby cat (Telemachus). Most of the Tapestry songs were playing all the time across the radio dial, and the album itself was selling at a blistering pace.
Joni Mitchell's, Ladies of the Canyon (1970) may have gotten a lot of teen girls (boys too) starting to buy records by female singer-songwriters, but Tapestry kicked that up to a whole new mass market level. Women were breaking barriers across the culture, including the growing number of female solo singer-songwriters not relegated to just being a singer or singer in a band. Carole King had in fact, written or co-written many hits for women singers in the 1960's, now she was helping to launch a new day where women could start to create and control their own destiny in the very male-oriented music business. For many young aspiring women musicians in the early 70's, Joni may have planted the dream, and Carole may have planted the plan.
In the summer of 1971, I remember coming home in the car from the beach with friend Tim Patterson driving. I have the distinct memory of that day. I was in the front passenger seat, window rolled down, looking out west at the ocean heading south from Avila Beach, somewhere between Pismo Beach and Shell Beach on the U.S. 101. The sun was shining not a cloud in the sky, Carole King's, It's Too Late*, comes on the radio as Tim and I are silent, just listening to the song, absorbing the sun and central coast. There's a common association of long-term memory with time, place and song. This was obviously one of those moments for me as I can't remember more important details from 50 years ago, but that specific memory came to mind this past week thinking about Tapestry.
Steve Patterson
That memory triggered a couple more of 1971 or thereabouts, as I briefly hung out with Tim in high school as we both grew up in the same church and also just lived a couple of blocks from each other. Tim Patterson was just a year older than me, and our star center on the Santa Maria High School basketball team. In 1971, Tim a Junior was just getting taller and taller, as I'm going to guess around 6' 8'' or thereabouts at the time. Tim would go on to play four years of basketball as center at Stanford, then two years of professional basketball in Sweden, and later become a lawyer and settle around Palo Alto, California.
By 1971, Tim's older brother, Steve Patterson was the star center at UCLA and is known as the center between Kareem Abdul Jabbar (Lew Alcindor) and Bill Walton years. Steve as starting center at UCLA won back to back NCAA National Championships in 1970 and 1971 with legendary coach John Wooden. Steve Patterson went on to play five years in the NBA with the Cleveland Cavaliers and Chicago Bulls.
Now how this memory relates Tim, Steve and me starts somewhere in time in high school between 1971 or 1972. Tim calls me up and asks me if I want to go with him to the Guadalupe-Nipomo Dunes (Oso Flaco) to ride the dunes in his brother's 4-wheel drive Ford Bronco. Tim picks me up and the two of us head out to the dunes listening to his brother's tapes on the ride out. We get to the dunes and the wind is blowing something fierce where we can't even see the ground with the blur of moving sand.
Guadalupe-Nipomo (Oso Flaco) Sand Dunes
We're about 15 minutes in, going up and down the dunes when it dawns on me, man I should probably put on my seat belt. No sooner do I snap the belt, than the Bronco crashes down into a small sand ravine about 5 feet deep and wide that neither one of us saw coming. I would estimate the car was going probably about 30 miles an hour when we hit the opposite bank of the ravine head-on and an instant stop. Tim's face hits the rear view mirror just above his right eye and starts to bleed like he's been hit by a left hook from Joe Frazier.* At the same moment upon impact, I hit the front wind shield with the right side of my head. I unbuckle and stumble out of the Bronco with an instant headache. I walk around to Tim, we find a rag or t-shirt in the car and he presses that on his wound to stop the bleeding.
Long story short, a guy in a Jeep comes along and he has a winch on his front-end and pulls the Bronco out from its back-end. We get back to Tim's house and talk to his mom, the nicest lady ever. Anyway, it was either that day or next, the Patterson's discover that my head impact had actually popped out the entire front windshield from its rubber seal. Looking back, I probably had a slight concussion but nobody even thought about that back in the day. Mrs. Patterson did come up to me at church several days later to make sure I was still okay. I think she said something about me having "a hard head," which something I have heard many times since in my life, from two different wives...
This past week, I pulled out the Tapestry album from the combined vinyl record collection from my wife Mary Kit and me. We combined our collections in 2020 after being in boxes in the attic for a long time. She made me laugh when she started to initial all her albums with a black Sharpie, well for, just in case, you never know if it's going to work out... Anyway, Tapestry with the initials 'MK' on the back cover have been playing on the turntable this past week as it certainly primed the pump for this week's blog.
The playlist this week is two halves. First, are the original 12 songs from the Tapestry album. Second, is Carole, Carole and James, or other artists performing songs from Tapestry mostly in the 21st century.
Enjoy my friends, stay well and mask-up.
* It's Too Late, is one of my all-time favorite songs and is on My 100 Songs playlist.
* On March 8, 1971 Joe Frazier defeated Muhammad Ali, staggering Ali in the 11th and knocking him down in the 15th with his staggering left hook. Wikipedia
1970 was an incredible year in rock 'n' roll history. Some of my favorite songs of all-time are contained in the albums above. The playlist this week is a treasure of jewels for me, some discovered in 1970, and some discovered much later.
The year was full of great music and news.
The biggest news of 1970 was the biggest band break-up that ever was as The Beatles go their separate ways and start making their own albums. Their fans never stop hoping that they will get back together.
The Beatles also released their last album, Let It Be recorded before Abbey Road and released after.
Simon and Garfunkel also made their last album together, Bridge Over Trouble Water. The album wins 6 Grammy's and wins The Song, Record, and Album of the Year. Their fans never stop hoping that they get back together.
Crosby, Stills, Nash & Young make a masterpiece, Déjà Vu and then promptly break-up for the first time, as their fans never stop hoping that they will get back together again, and again, and again...
Drugs and death also intersect in 1970, as both Jimi Hendrix and Janis Joplin both die of overdoses just three weeks apart at the tender age of 27. Brian Jones of the Rolling Stones had died the year prior in 1969 at 27, and in the following year of 1971, Jim Morrison would also die of an overdose at 27 and fuel the rock culture phenomenon of Club 27.
Speaking of phenomenon, the singer-songwriters to emerge as stars in 1970 is literally on the charts. James Taylor, Joni Mitchell, Neil Young, Carole King, Kris Kristofferson, Stephen Stills, Leon Russell, Cat Stevens, Van Morrison, and Elton John all breakout with solo albums that will put them on the map and on the road for years to come. In 1970, Stevens, Morrison, John, and Badfinger each release two albums during the same year as fans cannot get enough.
I was hooked by all these talented people and I start buying their albums whenever I could scrap up the money. My friends are doing the same, and we are all listening to each other's albums. Getting into rock concerts was going to be the next big step.
At fifteen, I'm becoming aware that two of my new heroes- James Taylor and Neil Young, are a bit like me, painfully shy to the point that it wasn't helping me move forward in life. By listening to their songs by myself in my bedroom, I began to get a sensibility for their music and what they were communicating to the world. I began to internalize their music, like millions of other kids. I start to examine who I am- my self-worth, what will I do? James and Neil didn't magically answer these questions, but they did give me a feeling, a new sense that I wasn't alone. James has this beautiful voice and yet he's always hunched over (like me), walking and talking without a lot of confidence. Neil's as quirky as hell and has this unique shaky voice and distant stare. But yet, both are opening up on a big stage in the spotlight, and becoming massively successful, folk-rock stars no less. Could I actually make something of myself?
1970 was a new decade but still part of the 1960's, and I wanted in, to be a long-hair. Music was becoming a part of my identity and it was a cornerstone of the counter-culture. I wanted to be part of something bigger, something completely different from my parents and my conservative upbringing.
This year in the blog, I started the reoccurring monthly post of 50 Years of Music. As I reflect back over the entirety of 1970, the blog often serves as a retro-journal to myself. This year, I also caught myself playing an old game, the 'shoulda-woulda-coulda' mind game. I wished I had joined the cross-country team, I wished I had started playing tennis with my dear friend Bill DeVoe as he would eventually go on to become the number one player on the high school varsity team. I wished I hadn't quit piano lessons, and I wished that I had starting writing a journal when I was young. In retrospect, all these wishes where not a lack of opportunities presented to me, but a basic lack of self-confidence on my part.
I would go through most of the 1970's with that general lack of confidence that slowly melted away as I began my professional career as a K-12 teacher with a variety of job assignments and experiences. Over the years, I discovered that confidence is often revealed in a couple basic ways. One, you see the overt confidence, often coupled with words over action. Second, and the confidence I tried to model from the good people around me was the purposeful actions that followed their words.
On this day, I'm thankful for my core group of friends who helped me believe in myself, and I'm thankful for the music we shared together as kids and continue to share today with old and new songs.
The playlist(s) this week are 220 songs as it is contains some of the best music I ever heard when first released 50 years ago that has endured the test of time. To quote John Lennon on the roof of Abbey Road Studios in the Let It Be film, "I would like to say thank you on behalf of the group and ourselves, and I hope we've passed the audition." Yes John, your band certainly passed the audition- giving all the people you inspired to pick up musical instruments and make rock 'n' roll. Those musicians and the listening fans from all over the world are forever indebted and eternally grateful for the music of
(Note- I just discovered this morning in publishing the blog that an embedded YouTube playlist will only display 200 videos, damnit-all. So, I have taken the last 20 videos and created a Part II Playlist and embedded below the first playlist. There's some great songs in the last group of 20, including the last song which has a lot of meaning to me.)
Merry Everything! Stay well my friends and mask-up.
On the scout for cool new songs released this month or thereabouts, I also discovered new covers of older songs by artists of all ages. During the time of coronavirus, this is particularly true for musicians with a lot of time these days being @home with a stockpile of instruments and recording equipment. As a working musician that stuff's right in the next room, or maybe if they've made a little money, their barn or basement recording studio or, even a famous empty music venue wants them to come down and record a session.
As COVID has disrupted the music business like most businesses, the creativity side of making music has actually never been better. The sheer output is hard to keep up with live streaming shows happening everyday as well as release dates of new singles, EP or LP albums, not to mention that song from the past musicians want to honor and cover.
Also noteworthy this month is Joni Mitchell's Archives Vol. 1: The Early Years (1963-1967). This first collection was just released and even though the songs are from the past, most of us are hearing these versions for the first time. So something old and new at the same time, and that's a great treat and Christmas gift for Joni fans.
Here are several sources for all the 119 song and interesting song introductions from the box set on-
This next week starts December and that means I'll start the first Monday (December 7th) with my 6th annual Christmas Mix (2020) of traditional and non-traditional winter holiday music. So look for that as well as my Favorite Songs of 2020 that will come out later in the month as a few songs from this week's playlist have made the final cut.
The #BestSongIHeardToday series is often centered around hearing great songs while exercising. These posts will tend to drift into health related topics but will always come back to the music that brought you here. This particular series is probably more about a self journal to help me stay on the path of healthy living that includes, listening to old and new tunes. If you're looking for a great mix playlist of 25-30 songs, just click on one of my Volumes above.
"No regrets, coyote"
On my weekly trail run, I always listen to my Amazon 'My Music' on shuffle with the sound on speaker mode on my armband. Originally, I did this to alert the coyotes that I'm on the trail and maybe they should just move into the brush. I also now do this to alert walkers or joggers to mask up as I can tell they usually hear me coming before seeing me. Unfortunately, as now is often the case, they have NO mask to mask-up.
In the photo on the left, I've seen this juvenile coyote before usually on this stretch of the trail. The coyote is all ears as it hears my music (a Poco song I believe) and has quickly spun around and we are having a little staring contest while I snap this shot. I actually enjoy running into this ol' soul whereas the humans, not so much these days. My once good old Transcendental "Good Morning," greeting has been displaced 'in the time of coronavirus' with me now muttering inside my brain, "Mask-up motherf......"
But then, it's back to the wonderful canyon rustic trail cutting through my suburb, my rhythmic pace and often the surprise of the next song. On my typical hour run, I hear about 14 - 18 songs and play a game as I say to myself, "Oh this one is the best so far." Then usually several songs later, another song has knocked that one off the mantle of what potentially could be, the #BestSongiHeardToday running on this trail.
My plan is to collect twenty-five songs as a stand-alone playlist. Here's Volume I of my random best while on the run.
Note- This week I introduce my 'new and improved' blog look that I hope you will enjoy. I think it's easier to navigate to all my blog posts and works well with smartphones.
I have also reintroduced the 'Comments' section below. Feel free to leave a comment, but please DO NOT piggyback a free advertisement with a LINK to a business site. Thank you.
Have a great Thanksgiving week, be safe and mask-up my friend!
"Singer-songwriter" is used to define popular music artists who write and perform their own material, which is often self-accompanied generally on acoustic guitar or piano. Such an artist performs the roles of composer [writes the songs music], lyricist, [writes the songs words] vocalist, sometimes instrumentalist, and often self-manager. According to AllMusic, singer-songwriters' lyrics are often personal but veiled by elaborate metaphors and vague imagery, and their creative concern is to place emphasis on the song rather than their performance of it. Wikipedia
Again, I enlisted my dear friend and singer-songwriter Paul Hobbs to help me navigate the guidelines for this week's challenge, list your five favorite singer-songwriters of all-time. Paul helped me clarify a couple key points to lay down the basics for filling out the Google Form below.
You can only list one person on each line 1-5. By the definition above, the singer-songwriter composes the music, writes the lyrics and performs the song by singing and/or playing an instrument. My wife Mary Kit immediately threw a wrench in the works by saying she was going to write, "Elton John and Bernie Taupin" together on one line. I started to get into the weeds saying, "You know, Bernie first writes the lyrics separately and then Elton writes the music to craft a song around the lyrics, so by definition... Mary Kit cuts me off and says, "If you're going to make this too complicated, nobody is going to fill out your form." I get it. Elton John is 3/4th a singer-songwriter, and a hell of one at that so I tell her, "Just write Elton John on the bloody form."
This list is based on a singer-songwriter's SOLO career. Okay, getting back on the lawnmower and heading to the weeds again- somebody like Tom Petty is a good example where the mower can get hung up. Tom is mainly known for his body of work with Tom Petty and the Heartbreakers, and the Traveling Wilburys. If you look at Tom's discography, he has three solo albums. So, if you write Tom Petty in you list of five, you are selecting him based on his solo work NOT his band compositions. Same for Neil Young, John Lennon, Pete Townshend, etc.
As a teaser for next week, we're going to list our FAV FIVE Bands where all the fabulous writing combinations of Lennon/McCartney, Jagger/Richards, Stills/Nash/Crosby, etc. are all contained within by simply naming your favorite bands, albeit the short list. Okay, here's my ranked list of FAV FIVE Singer-songwriters. Boy this was tough as a couple of readers have said in the previous FAV FIVEs, it's something like Sophie's Choice. For me, what it came down to was how many albums/CD's did I own of that artist as a solo singer-songwriter.
Note- Like last week you can see my random brainstorm list at the end of this blog.
Now it's your turn. If for some reason, the Google Form does not appear in your web browser, click on this direct link here - https://forms.gle/JDRCVasREuAtDPadA
Simon and Garfunkel at the 1971 13th Annual Grammy Awards | Bettmann/Getty Images
Something old, something new... part of the good luck tradition for a bride on her wedding day. In the past several months I haven't seen any brides floating about, but thought I'd borrow the expression.
Three weeks ago, I put together a playlist of "something new" music releases from January-March, 2020 thinking that might be popular with so many people home and online. It wasn't a dud but maybe not the #ComfortSongs to go along with maybe some of the #ComfortFoods you've been wanting or having at your #StayatHome. By the way, has cooking made a comeback at your house too?
Last week, I put together the 50th anniversary of CSN&Y's Déjà vualbum, and Joni Mitchell's Ladies of the Canyon, and that got a pretty good bump of blog hits coming in. With that in mind, I'll continue the "something old" theme by highlighting albums released from January - March from 1970. It's an amazing collection of albums and the number of great songs within those albums are truly impressive.
Here are a few thoughts I strung together while putting this 100+ Playlist together derived from my Wikipedia source, 1970 in music.
I'll start with the Grammy album of the year for 1970, Bridge over Troubled Water by Simon and Garfunkel. What's not to like on this entire album. If I have to pick one to start off the playlist, I'm going with Ceciliaan all-time favorite which also reminds me of a quick story growing up in a Baptist Church. I remember when Love The One You're With was a hit by Stephen Stills in late 1970 and a girl in my youth group commented to me, "I just can't stand these dirty songs like Cecilia and Love The One You're With." About a year later, I came up to her at church and said, "Guess you'll have to add Change Partners to your dirty songs list."
The Magic Christian was a February 1970 movie starring Peter Sellers and Ringo Starr. The soundtrack, Magic Christian Music is by the band Badfinger and features their first big hit written and produced by Paul McCartney, Come and Get It. I thought this was going to be a quick skip-through album, but I kept saying to myself, "wait a minute, this one's good...this one's good" and so on. Like so many albums I discover fifty years after their release, Magic Christian Music's a gem from a truly great band as most people only know their hits.
Last week I watched a 2011 documentary about George Martin (the 5th Beatle) on Amazon Prime called, Produced by George Martin (link here) that I highly recommend. George Martin produced Ringo's first solo album, Sentimental Journey and the two make a great team doing a complete album of "standards" that had not had been attempted by any rock star until Ringo did it. Ringo has always been maligned by the press over the years, but now most critics say he's not only a great drummer but a very good singer to boot. Listen to Ringo sing Night and Day by Cole Porter.
When I was fifteen, I would have never have listened to Frank Sinatra's Watertown, much less Ringo's Sentimental Journey. In Watertown, Sinatra takes a 1970 ride on the singer-songwriter wave with a themed-based album. All the songs were written by the same team of Bob Gaudio and Jake Holmes which is something Frank had never done before. This indeed was a risky move as Watertown was Frank's worst selling album, but the critics loved it and I think it's a wonderful album too. It's a heartbreaking tale of a wife who leaves her husband and two children searching for stardom. Make sure you listen to, The Train. If I didn't mention the band Mountain here, I'd probably get a concerning phone call from my old friend and childhood next door neighbor Ron Zieman wondering if I lost my mind. Ron introduced me to the best "heavy" rock bands over the years starting with Cream. Felix Pappalardi who produced some of Cream's albums started Mountain with Leslie West and their first album Climbing climbed the charts with their big hit, Mississippi Queen. When the group proceeded to record "Mississippi Queen", Pappalardi insisted on numerous takes. Growing weary, Corky Laing the drummer started using the cowbell to count off the song. Pappalardi liked it so much he left it in the mix, creating the song's recognizable intro (Wikipedia). And as Christopher Walken would say, "More Cowbell."
Moondanceis simply one of the greatest albums of all time. As a teenager I really didn't appreciate Van Morrison until I got to San Diego State and started rooming with my buddy Mark Hunter. Mark was from Millbrae CA, just south of San Francisco and if you're from the Bay Area you know "Van the man." Every song on this album is fantastic. In the last several years, I've really taken a deeper dive into his music and loved seeing him in Las Vegas in February. Check out Into the Mystic, this song is right up there...
The personnel on Leon Russell's debut album is largely a who's who of rock 'n' roll royalty, not to mention half of England. Again, so many great songs on this album including the all-time, "A Song for You", written by Russell, is a slow, pained plea for forgiveness and understanding from an estranged lover, the tune is one of Russell's best-known compositions. It has been performed and recorded by over 200 artists, spanning many musical genres. Elton John has called the song an American classic (Wikipedia).
I purchased Nilsson Sings Newmanin a used record shop after Harry Nilsson become really famous with his 1971 album, Nilsson Schmilsson. Again, this album is filled with great songs. Both albums followed me to college and I listened to them often in my dorm room and then in a series of forgettable apartments. In fact in my first forgettable apartment, my complete stereo system was stolen (a high school graduation present) with Harry Nilsson's 1974 Pussy Catsalbum on the turntable. I'll never forget coming home, opening the door and seeing a large empty space where the stereo system used to be with now the Pussy Cats empty album jacket laying in its place. My first thought was F***!!!!!, then I thought, well Pussy Cats was not Harry's finest hour on vinyl. But as long as I'm talking today about great "standards" albums like Sentimental Journey and Watertown today, check out Nilsson's 1973 A Touch of Schmilsson in the Night, a classic and one of Harry's finest hours.
Mary Kit says to me, "108 videos this week, man you must have some spare time..."
