Kacey Musgraves, 2/19/19 at the Paramount Theatre in Seattle

So what if Dolly Parton and Willie Nelson had a baby girl? Maybe she would be somebody like Kacey Musgraves, a singer-songwriter with model looks and clothes to match. This goes along with a strong sense of tolerance and minding one's own business, not to mention that she loves to smoke pot.

So ho​e your own row, yeah, and raise your own babies

Smoke your own smoke and grow your own daisies

Mend your own fences and own your own crazy

Mind your own biscuits and life will be gravy

Yeah mind your own biscuits and life will be gravy

From the song, Biscuits

Kacey speaks to people with an inner voice that they can identify with; someone willing to break with tradition while holding many values of tradition at the same time. Some may see her music as "schmaltzy" but I think she's got a Dolly and Willie-like intelligence to deal with the Nashville establishment on her terms. She may call herself, "Spacey Kacey" but there's a lot going on inside her head with the dichotomy of what you perceive is not what you are going to get. 

There's certain things you're s'posed to know

When you're a girl who grows up in the south

I try to use my common sense

But my foot always ends up in my mouth

And if I had to walk a runway in high heels in front of the whole town

I'd fall down

And my mama cried

When she realized

I ain't pageant material

I'm always higher than my hair

And it ain't that I don't care about world peace

But I don't see how I can fix it in a swimsuit on a stage

I ain't exactly Ms. Congenial

Sometimes I talk before I think, I try to fake it but I can't

I'd rather lose for what I am than win for what I ain't

From the song, Pageant Material

Then there's Kacey creating a synth "Space Country" sound in her 2018 album, Golden Hour. A departure from her previous two albums, Same Trailer Different Park, and Pageant Material. Here you have a woman whose head over heels in love with her new husband, Ruston Kelly and she's writing about it with a world view of wonderfulness. When I first heard it last year, I said to myself, "Oh, this is going mainstream and could be big, yes very big!"

Two weeks ago, on February 10th, Golden Hour won Kacey four Grammy's including Best Country Album, and the granddaddy music industry prize, Album of the Year.

Oh, what a world, 

I don't wanna leave

There's all kinds of magic, 

it's hard to believe

Northern lights in our skies

Plants that grow and open your mind

Things that swim with a neon glow

How we all got here, nobody knows

from the song, Oh What a World

Last week I got to see Kacey Musgraves in Seattle in what turned out to be the hottest ticket in town as she came into the Paramount with that fresh Grammy win to a wildly excited sold out crowd. The audience was quickly on its feet for the whole show with all the ladies enthusiastically singing along, knowing every word of every song.

A man in the center front row, got down on his knee and proposed to his girlfriend during Oh What a Wonderful World, Kacie looked down paused at that moment and said, "He's proposing!"

At another point in the concert, Kacey put the microphone down to her side and let the audience sing two verses of one her songs as that must be such a rush to be in Freddy Mercury territory! I see arena bookings in some cities just around the corner.

All that I know

Is you caught me at the right time

Keep me in your glow

'Cause I'm having such a good time

With you

from the song, Golden Hour

I hope you enjoy the wit and charm of Kacey Musgraves from my Playlist this week from her four studio albums. I believe she is one of the key people currently saving Country Music from itself.

Truths in Storytelling with John Prine and Todd Snider at the Paramount, Seattle WA 9/22/18

In 2015, I saw John Prine with his mentor Kris Kristofferson in San Diego. I wrote a little blog about it called,  The difference of 10 years and heroes with the premise that our heroes or mentors come from the immediate preceding generation.

On Saturday night, Mary Kit and I had the pleasure to see Todd Snider and John Prine in Seattle thanks to the warm invite from our old Santa Maria friends Ken and Vicki Forman whose daughter Emily lives in Seattle with her family.  Mary Kit's three kids and their families also live in the greater Seattle area. So the four of us decided to meet up here, spend the day together and see the concert.

Before the show at dinner, Ken was telling me how John Prine took Todd Snider under his wing and that Todd has opened many shows for John over the years and helped build his career as a singer-songwriter. For me, it was a perfect connection of mentorship from Kristofferson to Prine and Prine to Snider.  These unique individuals all have the gift of storytelling in their songwriting.  It is a gift that reveals the plain and simple truths about men and women, working people, people living in a simpler time, injustice, the amusing, the open and shut doors, and the wide open spaces.

Todd opened the show with his stories and songs and I don't think I've ever seen such a perfect opener for the main attraction. If you have never seen or heard Todd Snider, he is funny as hell but can turn that emotion around quickly with a darker perspective. His gift is his balance between stupid funny, serious satire, and folk singer. I became a convert in a sold out theater of the Todd Snider faithful with a lot of hoots and a standing ovation at the end of his set. Thanks to Ken and Vicki for the introduction.

Now John Prine at 71 has 20 years on Todd Snider, and the master came out ready for spit and fire. He has a new album, The Tree of Forgiveness, which had me at the title before I even listened to the album when it came out in April. Prine backed by his fantastic band moved through the new songs intertwined with his famous standards and I felt the audience embrace every song like a winding stream. (Here is the setlist.)

So why does everyone love John Prine these days? I think we are all needing real stories, stories John Prine communicates through his songs of our shared humanity to love and respect each other.

For me, Saturday night was a range of emotions from laughter to tears. This is something you go to a theater for when you see a play. It was an Americana Folk passion play of plain truths about ourselves, past and present. In our current times, where bullshit and hate have become king and queen on our national stage, truth has mostly taken a back seat.

The audience at the Paramount on Saturday night was ready to be entertained. They came to see a couple of their heroes who represent genuine honesty, humor and truth in song. I walked into the building to be entertained too, and I was.  But what I came away with more than anything, was the wonderful feeling that it was simply nice to escape from the news of the day and hear from a couple of authentic Americans on a very friendly stage.

Here's a little mix of Todd Snider and Americana Music Awards 2018 Artist of the Year Award, John Prine. Note - I found several phone videos from the tour the night before in Portland, Oregon and thought that close enough to Saturday night.