My first thought after looking at James Taylor's third album, Mudslide Slim and the Blue Horizonwas, is James wearing the same blue shirt as his second album, Sweet Baby James? After examination, they're two different shirts, but wait a minute, yes he's wearing another blue shirt on his fourth album, One Man Dog.
What's my point? I don't really have one. You've just got to love the simplicity that is James Taylor and maybe his fondness for the color blue. During this time in James' life, he was going with Joni Mitchell as she sings backup vocals on three Mudslide Slim songs. I've always loved their voices together. In June of 1971, Joni would release her now revered album, Blue, so maybe a theme was developing.
Here's a 1970 live version of You Can Close Your Eyes, a song James wrote for Joni, where they did a couple of shows together in Europe. Man, what I would have given to have been there. I've always loved this version as a duet with two of the best of all-time during this magical time of acoustic music.
Here's a great story by James about being with Joni Mitchell.
Here's a video by Peter Asher about the making of Mudslide Slim.
Enjoy my friends, stay well and mask-up.
And, here is Mudslide Slim and the Blue Horizon, released in April, 1971.
While writing that blog, I had also began to read a book by James Taylor's original manager and the producer of Sweet Baby James,Peter Asher.
Thanks to Paul Hobbs
for the book loan
The book is titled, The Beatles from A to Zed and is simply a wonderful journey through the alphabet with everything Beatles, plus more interesting sidebar stories including: Peter's direct experiences with the Beatles, his days in Peter and Gordon, and life in the music business. If you're a Beatle fan, this is a must and a very fun read indeed. The book got me interested in Peter Asher and I began to look into his life and professional career as a musician and record producer.
Some early facts about Peter Asher and his one degree of separation-
Peter's father was a doctor and his mother was a professional musician and Oboe teacher, who once taught a young lad named, George Martin (the future producer of The Beatles).
Peter went to the prestigious Westminster School in London where he met his future band mate, Gordon Waller whose father was also a doctor.
Peter was a child actor along with sister Jane Asher, a life-long actress.
At the Asher's Wimpole St. home, John Lennon and Paul McCartney wrote "I Want to Hold Your Hand" in the front basement room, while McCartney wrote the tune to "Yesterday" in a box room at the top of the house. Wikipedia
Paul McCartney and Jane Asher
For two years, Peter's and Paul's bedrooms were right next to each other at the top of the house, and Peter as a young musician himself had constant direct access to one of the greatest singer-songwriter's of all-time. I guess I could go on about Jane's and Paul's access... what were her parents thinking?
Anyway, John and Paul were constantly writing new songs and always revisiting and even workshopping older songs they wrote before the Beatles formed in 1960. One such song, A World Without Lovewas written by Paul when he was sixteen but John could never get past the first line,Please lock meaway without cracking up with laughter.
Peter Asher and Gordon Waller
As John rejected A World Without Love as a Beatles song, an astute Peter Asher asked Paul if he could have the "orphan" song for his newly signed band, Peter and Gordon. Peter even persisted Paul to write the bridge of the still uncompleted song. Paul finished the song and gave it to Peter and Gordon who took it to their first recording sessions for EMI Records. Least to say, the rest is history as the song went all the way to #1 on the UK and American Billboard Charts in 1964 and launched Peter and Gordon as a worldwide duo.
This past week, I thought the A World Without Love lyrics quite appropriate for our #StayatHome times even though they were written by a young Paul McCartney about waiting for a true love to finally show herself.
Please lock me away
And don't allow the day
Here inside where I hide
With my loneliness
I don't care what they say I won't stay
In a world without love
Now another thing that struck me when viewing the color video of A World Without Love is that Peter Asher is the spitting image model of Mike Myers' Austin Powers character. I am of course not the first to make this observation, but I want you to play the song here and pay attention as the camera zooms in on Peter at the 0:27 - 0:37 mark. You'll see exactly what I'm talking about- Peter's expression with mop top, Buddy Holly glasses and teeth... Yeah Baby!
Peter's close relationship with Paul McCartney proved invaluable as Peter and Gordon recorded several songs written by McCartney but credited to Lennon–McCartney. Those hits included "A World Without Love" (US & UK #1), "Nobody I Know" (US #12; UK #10), "I Don't Want To See You Again" (US #16, but not a hit in the UK), and "Woman." With "Woman", McCartney used the pseudonym Bernard Webb to see whether he could have a hit song without his name attached. First pressings of the US Capitol single listed the composer as "A. Smith". The song reached #14 in the US and #28 on the UK Singles Chart in 1966. Wikipedia
Phil and Don Everly
As duo groups in the 1960's started popping up such as Simon and Garfunkel, Peter and Gordon, Chad and Jeremy, not to mention such bands as The Beatles, The Beach Boys, The Byrds, The Hollies, and Bee Gees- all getting their harmonic inspiration from the well of The Everly Brothers. For Peter and Gordon, it's very interesting to hear two very different singing voices come together to make their harmony work so well. Needless to say, without the Everly Brothers, the evolution of harmony in the early to mid-sixties for singing duo's and bands just wouldn't have been the same.
For Peter and Gordon and Chad and Jeremy, the 60's wave ended as both groups disbanded in 1968. For Peter Asher, his life changed in 1968 as he briefly worked as the A&R (Artists & Repertoire) Director for Apple Records where he signed James Taylor to his first record contract and then moved to the United States to manage and produce James and later, Linda Ronstadt. Peter went on to produce many acts, and in 1995-2002 was Senior Vice-President for Sony Music Entertainment.
Peter and Gordon, 2005
But what attracted me to write this article and playlist this week was Peter Asher's reunion with Gordon Waller in 2005, first playing benefits, Beatlefest, and then doing clubs together. Sadly, this ended in 2009 when Gordon Waller died of a heart attack at 64 years old.
Chad and Jeremy, 2005
As for Chad and Jeremy, Chad Stuart continued to work in the music industry while Jeremy Clyde became a film and stage actor. In the early 1980s, the duo reunited to record a new album and perform concerts, including a multi-band British Invasion nostalgia tour. After another long period of separation, in the early 2000s Chad & Jeremy began performing again and developed a semi-regular schedule of touring for many years. Wikipedia
Incidentally, both Peter and Gordon and Chad and Jeremy often played venues together as all were life-long friends.
In 2018, Chad Stuart retired from performing and low and behold, Peter Asher and Jeremy Clyde started performing together as, Peter and Jeremy. That kind of takes us full circle as I would like to present a mix playlist of Peter and Gordon, Chad and Jeremy, and Peter and Jeremy this week in both older and more recent videos. Make sure to watch the last two videos with a bit of fun commentary by Peter and Jeremy. Enjoy my friends!
Note- I also want to give a big shoutout to jarichards99youtube (subscribe here) who does a fantastic job of taking old music videos and creating a Digitally ReProcessed ReCut Video and STEREO ReMix.HiQ Hybrid = Live Video Performance PLUS Studio Quality Sound.
Simon and Garfunkel at the 1971 13th Annual Grammy Awards | Bettmann/Getty Images
Something old, something new... part of the good luck tradition for a bride on her wedding day. In the past several months I haven't seen any brides floating about, but thought I'd borrow the expression.
Three weeks ago, I put together a playlist of "something new" music releases from January-March, 2020 thinking that might be popular with so many people home and online. It wasn't a dud but maybe not the #ComfortSongs to go along with maybe some of the #ComfortFoods you've been wanting or having at your #StayatHome. By the way, has cooking made a comeback at your house too?
Last week, I put together the 50th anniversary of CSN&Y's Déjà vualbum, and Joni Mitchell's Ladies of the Canyon, and that got a pretty good bump of blog hits coming in. With that in mind, I'll continue the "something old" theme by highlighting albums released from January - March from 1970. It's an amazing collection of albums and the number of great songs within those albums are truly impressive.
Here are a few thoughts I strung together while putting this 100+ Playlist together derived from my Wikipedia source, 1970 in music.
I'll start with the Grammy album of the year for 1970, Bridge over Troubled Water by Simon and Garfunkel. What's not to like on this entire album. If I have to pick one to start off the playlist, I'm going with Ceciliaan all-time favorite which also reminds me of a quick story growing up in a Baptist Church. I remember when Love The One You're With was a hit by Stephen Stills in late 1970 and a girl in my youth group commented to me, "I just can't stand these dirty songs like Cecilia and Love The One You're With." About a year later, I came up to her at church and said, "Guess you'll have to add Change Partners to your dirty songs list."
The Magic Christian was a February 1970 movie starring Peter Sellers and Ringo Starr. The soundtrack, Magic Christian Music is by the band Badfinger and features their first big hit written and produced by Paul McCartney, Come and Get It. I thought this was going to be a quick skip-through album, but I kept saying to myself, "wait a minute, this one's good...this one's good" and so on. Like so many albums I discover fifty years after their release, Magic Christian Music's a gem from a truly great band as most people only know their hits.
Last week I watched a 2011 documentary about George Martin (the 5th Beatle) on Amazon Prime called, Produced by George Martin (link here) that I highly recommend. George Martin produced Ringo's first solo album, Sentimental Journey and the two make a great team doing a complete album of "standards" that had not had been attempted by any rock star until Ringo did it. Ringo has always been maligned by the press over the years, but now most critics say he's not only a great drummer but a very good singer to boot. Listen to Ringo sing Night and Day by Cole Porter.
When I was fifteen, I would have never have listened to Frank Sinatra's Watertown, much less Ringo's Sentimental Journey. In Watertown, Sinatra takes a 1970 ride on the singer-songwriter wave with a themed-based album. All the songs were written by the same team of Bob Gaudio and Jake Holmes which is something Frank had never done before. This indeed was a risky move as Watertown was Frank's worst selling album, but the critics loved it and I think it's a wonderful album too. It's a heartbreaking tale of a wife who leaves her husband and two children searching for stardom. Make sure you listen to, The Train. If I didn't mention the band Mountain here, I'd probably get a concerning phone call from my old friend and childhood next door neighbor Ron Zieman wondering if I lost my mind. Ron introduced me to the best "heavy" rock bands over the years starting with Cream. Felix Pappalardi who produced some of Cream's albums started Mountain with Leslie West and their first album Climbing climbed the charts with their big hit, Mississippi Queen. When the group proceeded to record "Mississippi Queen", Pappalardi insisted on numerous takes. Growing weary, Corky Laing the drummer started using the cowbell to count off the song. Pappalardi liked it so much he left it in the mix, creating the song's recognizable intro (Wikipedia). And as Christopher Walken would say, "More Cowbell."
Moondanceis simply one of the greatest albums of all time. As a teenager I really didn't appreciate Van Morrison until I got to San Diego State and started rooming with my buddy Mark Hunter. Mark was from Millbrae CA, just south of San Francisco and if you're from the Bay Area you know "Van the man." Every song on this album is fantastic. In the last several years, I've really taken a deeper dive into his music and loved seeing him in Las Vegas in February. Check out Into the Mystic, this song is right up there...
The personnel on Leon Russell's debut album is largely a who's who of rock 'n' roll royalty, not to mention half of England. Again, so many great songs on this album including the all-time, "A Song for You", written by Russell, is a slow, pained plea for forgiveness and understanding from an estranged lover, the tune is one of Russell's best-known compositions. It has been performed and recorded by over 200 artists, spanning many musical genres. Elton John has called the song an American classic (Wikipedia).
I purchased Nilsson Sings Newmanin a used record shop after Harry Nilsson become really famous with his 1971 album, Nilsson Schmilsson. Again, this album is filled with great songs. Both albums followed me to college and I listened to them often in my dorm room and then in a series of forgettable apartments. In fact in my first forgettable apartment, my complete stereo system was stolen (a high school graduation present) with Harry Nilsson's 1974 Pussy Catsalbum on the turntable. I'll never forget coming home, opening the door and seeing a large empty space where the stereo system used to be with now the Pussy Cats empty album jacket laying in its place. My first thought was F***!!!!!, then I thought, well Pussy Cats was not Harry's finest hour on vinyl. But as long as I'm talking today about great "standards" albums like Sentimental Journey and Watertown today, check out Nilsson's 1973 A Touch of Schmilsson in the Night, a classic and one of Harry's finest hours.
Mary Kit says to me, "108 videos this week, man you must have some spare time..."
