My Favorite Songs of 1970

1970 was an incredible year in rock 'n' roll history. Some of my favorite songs of all-time are contained in the albums above. The playlist this week is a treasure of jewels for me, some discovered in 1970, and some discovered much later.

The year was full of great music and news.

The biggest news of 1970 was the biggest band break-up that ever was as The Beatles go their separate ways and start making their own albums. Their fans never stop hoping that they will get back together.

The Beatles also released their last album, Let It Be recorded before Abbey Road and released after. 

Simon and Garfunkel also made their last album together, Bridge Over Trouble Water. The album wins 6 Grammy's and wins The Song, Record, and Album of the Year. Their fans never stop hoping that they get back together.

Crosby, Stills, Nash & Young make a masterpiece, Déjà Vu  and then promptly break-up for the first time, as their fans never stop hoping that they will get back together again, and again, and again...

Drugs and death also intersect in 1970, as both Jimi Hendrix and Janis Joplin both die of overdoses just three weeks apart at the tender age of 27. Brian Jones of the Rolling Stones had died the year prior in 1969 at 27, and in the following year of 1971, Jim Morrison would also die of an overdose at 27 and fuel the rock culture phenomenon of Club 27.  

Speaking of phenomenon, the singer-songwriters to emerge as stars in 1970 is literally on the charts. James Taylor, Joni Mitchell, Neil Young, Carole King, Kris Kristofferson, Stephen Stills, Leon Russell, Cat Stevens, Van Morrison, and Elton John all breakout with solo albums that will put them on the map and on the road for years to come. In 1970, Stevens, Morrison, John, and Badfinger each release two albums during the same year as fans cannot get enough. 

I was hooked by all these talented people and I start buying their albums whenever I could scrap up the money. My friends are doing the same, and we are all listening to each other's albums. Getting into rock concerts was going to be the next big step.

At fifteen, I'm becoming aware that two of my new heroes- James Taylor and Neil Young, are a bit like me, painfully shy to the point that it wasn't helping me move forward in life. By listening to their songs by myself in my bedroom, I began to get a sensibility for their music and what they were communicating to the world. I began to internalize their music, like millions of other kids. I start to examine who I am- my self-worth, what will I do? James and Neil didn't magically answer these questions, but they did give me a feeling, a new sense that I wasn't alone. James has this beautiful voice and yet he's always hunched over (like me), walking and talking without a lot of confidence. Neil's as quirky as hell and has this unique shaky voice and distant stare. But yet, both are opening up on a big stage in the spotlight, and becoming massively successful, folk-rock stars no less. Could I actually make something of myself? 

1970 was a new decade but still part of the 1960's, and I wanted in, to be a long-hair. Music was becoming a part of my identity and it was a cornerstone of the counter-culture. I wanted to be part of something bigger, something completely different from my parents and my conservative upbringing.

This year in the blog, I started the reoccurring monthly post of 50 Years of Music. As I reflect back over the entirety of 1970, the blog often serves as a retro-journal to myself. This year, I also caught myself playing an old game, the 'shoulda-woulda-coulda' mind game. I wished I had joined the cross-country team, I wished I had started playing tennis with my dear friend Bill DeVoe as he would eventually go on to become the number one player on the high school varsity team. I wished I hadn't quit piano lessons, and I wished that I had starting writing a journal when I was young. In retrospect, all these wishes where not a lack of opportunities presented to me, but a basic lack of self-confidence on my part. 

I would go through most of the 1970's with that general lack of confidence that slowly melted away as I began my professional career as a K-12 teacher with a variety of job assignments and experiences. Over the years, I discovered that confidence is often revealed in a couple basic ways. One, you see the overt confidence, often coupled with words over action. Second, and the confidence I tried to model from the good people around me was the purposeful actions that followed their words.

On this day, I'm thankful for my core group of friends who helped me believe in myself, and I'm thankful for the music we shared together as kids and continue to share today with old and new songs.

The playlist(s) this week are 220 songs as it is contains some of the best music I ever heard when first released 50 years ago that has endured the test of time. To quote John Lennon on the roof of Abbey Road Studios in the Let It Be film, "I would like to say thank you on behalf of the group and ourselves, and I hope we've passed the audition." Yes John, your band certainly passed the audition- giving all the people you inspired to pick up musical instruments and make rock 'n' roll. Those musicians and the listening fans from all over the world are forever indebted and eternally grateful for the music of 

(Note- I just discovered this morning in publishing the blog that an embedded YouTube playlist will only display 200 videos, damnit-all. So, I have taken the last 20 videos and created a Part II Playlist and embedded below the first playlist. There's some great songs in the last group of 20, including the last song which has a lot of meaning to me.)

Merry Everything! Stay well my friends and mask-up. 

So let's now get back to where we once belonged.

 

 Reference:

• 1970 in music. Wikipedia

50 Years of Music • January - March, 1970

50 Years of Music Series • 1970

January - March | April - May

Simon and Garfunkel at the 1971 13th Annual Grammy Awards | Bettmann/Getty Images

Something old, something new... part of the good luck tradition for a bride on her wedding day. In the past several months I haven't seen any brides floating about, but thought I'd borrow the expression.

Three weeks ago, I put together a playlist of "something new" music releases from January-March, 2020 thinking that might be popular with so many people home and online. It wasn't a dud but maybe not the #ComfortSongs to go along with maybe some of the #ComfortFoods you've been wanting or having at your #StayatHome. By the way, has cooking made a comeback at your house too?

Last week, I put together the 50th anniversary of CSN&Y's Déjà vu album, and Joni Mitchell's Ladies of the Canyon, and that got a pretty good bump of blog hits coming in. With that in mind, I'll continue the "something old" theme by highlighting albums released from January - March from 1970. It's an amazing collection of albums and the number of great songs within those albums are truly impressive.

Here are a few thoughts I strung together while putting this 100+ Playlist together derived from my Wikipedia source, 1970 in music.

I'll start with the Grammy album of the year for 1970,
Bridge over Troubled Water by Simon and Garfunkel. What's not to like on this entire album. If I have to pick one to start off the playlist, I'm going with Cecilia an all-time favorite which also reminds me of a quick story growing up in a Baptist Church. I remember when Love The One You're With was a hit by Stephen Stills in late 1970 and a girl in my youth group commented to me, "I just can't stand these dirty songs like Cecilia and Love The One You're With." About a year later, I came up to her at church and said, "Guess you'll have to add Change Partners to your dirty songs list."

The Magic Christian was a February 1970 movie starring Peter Sellers and Ringo Starr. The soundtrack, Magic Christian Music is by the band Badfinger and features their first big hit written and produced by Paul McCartney, Come and Get It. I thought this was going to be a quick skip-through album, but I kept saying to myself, "wait a minute, this one's good...this one's good" and so on. Like so many albums I discover fifty years after their release, Magic Christian Music's a gem from a truly great band as most people only know their hits.

Last week I watched a 2011 documentary about George Martin (the 5th Beatle) on Amazon Prime called, Produced by George Martin (link here) that I highly recommend. George Martin produced Ringo's first solo album, Sentimental Journey and the two make a great team doing a complete album of "standards" that had not had been attempted by any rock star until Ringo did it. Ringo has always been maligned by the press over the years, but now most critics say he's not only a great drummer but a very good singer to boot. Listen to Ringo sing Night and Day by Cole Porter.

When I was fifteen, I would have never have listened to Frank Sinatra's Watertown, much less Ringo's Sentimental Journey. In Watertown, Sinatra takes a 1970 ride on the singer-songwriter wave with a themed-based album.  All the songs were written by the same team of  Bob Gaudio and Jake Holmes which is something Frank had never done before. This indeed was a risky move as Watertown was Frank's worst selling album, but the critics loved it and I think it's a wonderful album too. It's a heartbreaking tale of a wife who leaves her husband and two children searching for stardom. Make sure you listen to, The Train.

If I didn't mention the band Mountain here, I'd probably get a concerning phone call from my old friend and childhood next door neighbor Ron Zieman wondering if I lost my mind. Ron introduced me to the best "heavy" rock bands over the years starting with Cream. Felix Pappalardi who produced some of Cream's albums started Mountain with Leslie West and their first album Climbing climbed the charts with their big hit, Mississippi Queen. When the group proceeded to record "Mississippi Queen", Pappalardi insisted on numerous takes. Growing weary, Corky Laing the drummer started using the cowbell to count off the song. Pappalardi liked it so much he left it in the mix, creating the song's recognizable intro (Wikipedia). And as Christopher Walken would say, "More Cowbell."

Moondance is simply one of the greatest albums of all time. As a teenager I really didn't appreciate Van Morrison until I got to San Diego State and started rooming with my buddy Mark Hunter. Mark was from Millbrae CA, just south of San Francisco and if you're from the Bay Area you know "Van the man." Every song on this album is fantastic. In the last several years, I've really taken a deeper dive into his music and loved seeing him in Las Vegas in February. Check out Into the Mystic, this song is right up there...

The personnel on Leon Russell's debut album is largely a who's who of rock 'n' roll royalty, not to mention half of England. Again, so many great songs on this album including the all-time, "A Song for You", written by Russell, is a slow, pained plea for forgiveness and understanding from an estranged lover, the tune is one of Russell's best-known compositions. It has been performed and recorded by over 200 artists, spanning many musical genres. Elton John has called the song an American classic (Wikipedia).

I purchased Nilsson Sings Newman in a used record shop after Harry Nilsson become really famous with his 1971 album, Nilsson Schmilsson. Again, this album is filled with great songs. Both albums followed me to college and I listened to them often in my dorm room and then in a series of forgettable apartments. In fact in my first forgettable apartment, my complete stereo system was stolen (a high school graduation present) with Harry Nilsson's 1974 Pussy Cats album on the turntable. I'll never forget coming home, opening the door and seeing a large empty space where the stereo system used to be with now the Pussy Cats empty album jacket laying in its place. My first thought was F***!!!!!, then I thought, well Pussy Cats was not Harry's finest hour on vinyl. But as long as I'm talking today about great "standards" albums like Sentimental Journey and Watertown today, check out Nilsson's 1973 A Touch of Schmilsson in the Night, a classic and one of Harry's finest hours.

Mary Kit says to me, "108 videos this week, man you must have some spare time..."

Paul Simon, The Rhythm Poet

Hello darkness, my old friend

I’ve come to talk with you again

Because a vision softly creeping

Left its seeds while I was sleeping

And the vision that was planted in my brain

Still remains

Within the sound of silence

from The Sound of Silence by Paul Simon

In my 12th grade English class the teacher Miss Dunn, did a poetry unit on Simon and Garfunkel. She unpacked Paul Simon's lyrics and we explored songs such as, The Sound of Silence and The Boxer as deeply as passages of Dickinson or Thoreau.

Paul Simon is simply one of American music's greatest treasures. By the late sixties, he had reached Bob Dylan's poet stature as the songwriter of Simon and Garfunkel.  But he just never stopped his momentum and continued to evolve as the quintessential instrument to channel American and world rhythms into music as a solo artist.

Last Friday, I got to see Paul Simon for the first time at Key Arena in Seattle. His Homeward Bound - The Farewell Tour is billed as the final tour of his career and at 76 I'm just going to have to take him at his word. His setlist included 25 songs with three well planned but heartfelt encores.

Joining me was my lovely wife Mary Kit, as well as my dear old friend Bill DeVoe and his good friend Neil Wiesblott from Vashon Island. Our foursome was part of the largely "Boomer" crowd that grew up listening to Paul Simon, and in turn, our children listened to Simon growing up with us.

In preparing for the blog this past week, I typically start with the playlist and wanted to feature many of the songs from his recent performances. I got really excited listening to Paul's 70+ year old voice in concert as the man is well preserved physically, vocally and musically.

On Saturday after the concert, I had a chance to have lunch with Bill and he talked about how Simon just continued to evolve as an artist through the decades, not afraid to explore and expose his audience to literally the rhythms and beats from all kinds of cultural influences. Our discussion turned to how historically white musicians have "taken" music from musicians of color and not given them credit for not only their influence but the dollars they have reaped from that influence.

You can go back to the 1920's and discover jazz performers such as Paul Whiteman (literally his last name), who was known as the "King of Jazz" to the larger white audience without publicly  acknowledging the black artists who in fact created the art form of jazz itself.

This too could also be applied to Elvis Presley in the 1950's as the "King of Rock 'n' Roll" to the larger white audience, and if I'm not mistaken, never overtly talked in the media about how black music influenced his music. I will say many black musicians like Little Richard have publicly said how Elvis' popularity actually boosted their careers, but not said by the man himself, in front of a microphone or television camera.

But in the 1960's and by the 1970's this pattern had begun to change. Groups like the Rolling Stones and musicians like Eric Clapton, openly talked about their black musician idols, and "put their money where their mouth is" by getting them big time booking gigs and appearances on TV.

Paul Simon took it a step further. He started putting people like the Jessy Dixon Singers in his albums and on his concert tours. He went to South Africa under Apartheid, hired all black musicians, recorded and toured with these musicians, and caught a bunch of crap for it. There are probably people who think Paul Simon has "taken" African music, but I would disagree. If you don't like the fact that Paul Simon is a musical genius whose world influences have created some of the most catchy rhythmic beat hooks of all-time, you probably just don't get rock 'n' roll. Rock 'n' Roll is for everybody but it's important to know where it comes from and to acknowledge the people who brought the beat, no matter who's playing it.

Then I learned to play some lead guitar

I was underage in this funky bar

And I stepped outside to smoke myself a “J”

And when I came back to the room

Everybody just seemed to move

And I turned my amp up loud and began to play

And it was late in the evening

And I blew that room away

Late in the Evening by Paul Simon

Paul Simon rocked Key Arena. He's got one of the most talented bands I've ever seen. I could only image the audition process to join this elite group of people who all seem to perform double duties of playing multiple instruments plus sing harmony or back up vocals as well. The percussion section is hypnotic and the horns are the pure joy of the soul. Paul was fully engaged, telling stories about the songs and his singing voice was fantastic! The crowd couldn't get enough as he moved from acoustic to full orchestral, big sound arrangements and back to acoustic guitars. It was not quite late in the evening and Paul Simon blew me away. I was not alone.

If you're wanting more, I would suggest Paul's new book by Robert Hilburn, Paul Simon the life. Here is a book review in the Seattle Times by Paul de Barrios. I haven't read the book yet, but I think it will be on my bedside table very soon.

And, a very positive review of the May 18th concert at Key Arena in the Seattle Times by Michael Rietmulder.

Update - (Hollywood Bowl review)
Paul Simon's Final Tour A Graceful, Masterful And Jubilant Celebration by Steve Baltin

You know when an artist is so enduring to you that you sing the lyrics and play the music of a favorite song, in your head. For me Paul Simon has that extra quality (like Stevie Wonder) when the rhythm of the instruments just play over and over in your head, in a good way.

Right now as I'm writing this, I'm playing the acoustic guitar lead into Me and Julio Down by the Schoolyard, in my head, and that my friends is a gift on so many levels.

My Funny (unconventional) Valentine

The original 1937 My Funny Valentine song was staged in the Broadway musical, Babes in Arms as a woman singing to a man. However, many males from Frank Sinatra, Chet Baker to Sting have sung this song, but listen to the lyrics as I don't think it plays so well in 2017. If you're going to play a tune like this to your love, I would suggest, Just The Way You Are by Billy Joel.

In this next video, you'll see my point exactly from my comments above...

Dan Hicks, the master of satirical country swing. MK played me a couple of Dan Hicks and His Hot Licks albums on our first dates together in 1973 and I guess from my positive reaction, we were meant to be. Dan, you are missed!

Stephen Stills gave us all permission to not be so faithful. I guess this one came to him based on his experience with drugs, sex and rock n' roll.

But Simon and Garfunkel gave the ladies an all is fair in love with this one.

Now for some wedding musical comedy.

And, from marriage often comes the babies in the carriage.

Hey, this Valentine's myth is just getting old and the pressure that we all have to be coupled to preserve some religious plan, screw that.

Can't have enough Dan Hicks today!

Don't got it all figured out? Kacey says you're in good company.

Here's a fun love story song.

and maybe this is how the whole thing goes down in time.

Damn it Paul McCartney, you made me hum this song until I finally caved over the years and liked it! I'll let Kurt Hummel and Glee take us out with this one.

Here's My Funny (unconventional) Valentine Playlist.
Note - For some reason my Playlist would not embed in my blog this week, so I have broken them out in individual videos today.

I've been for a walk on a winters` day... (Updated)

The weather report for this week puts most of the country in a blustery situation from severe snow storms in the east and midwest to rain on the west coast. Several songs came to me on a morning walk yesterday and hope you are in the mood for a little weather music.

First up is Bare Trees by Fleetwood Mac. Released in 1972 by the group's original lineup and written by Danny Kirwan who was fired by the band later that year. This album and song seems to get lost with the monster mid-seventies addition of Stevie Nicks and Lindsey Buckingham.

Musicmp3.ru - Bare Trees






Next is Hazy Shade of Winter by Simon and Garfunkel, first released in 1966 as a single and then included in the 1968 Bookends album. I always loved this song because it showed the boys could rock 'n roll with the best of them. My guess is that this song with its quintessential beat influenced other groups in the mid-60's.




And lastly, California Dreamin' by the Mama's and Papa's, released in 1966 on the If Your Can Believe Your Eyes and Ears album. You'll be singing this song in your head again, like you have done so many times before, on such a winters' day.